文物統一編號 |
贈畫000416N000000000
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作品號 |
贈畫00041600000 |
品名 |
清倪田松蔭放馬 軸
Herding Horses under a Pine Tree |
分類 |
繪畫 |
作者 |
倪田,Ni Tian |
創作時間 |
中華民國三年(1914) |
數量 |
一軸 |
作品語文 |
漢文 |
位置 |
尺寸(公分) |
本幅 |
149.4x81.4 |
全幅 |
246x94.4 |
題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
作者款識 |
倪田
印記 expand_more
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本幅 |
衡山仁兄先生雅屬即正之。時甲寅長夏邗上。倪田墨畊寫於壁月盦。 |
草書 |
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印記類別 |
印主 |
印記 |
收傳印記 |
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山松 |
收傳印記 |
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伯樂齋 |
收傳印記 |
蔡辰男 |
辰園寶藏 |
收傳印記 |
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施裕堂賞鑑金石書畫 |
收傳印記 |
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淑逢 |
主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
主要主題 |
走獸 |
馬 |
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主要主題 |
樹木 |
松 |
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其他主題 |
人物 |
牧童 |
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其他主題 |
人物 |
圉人 |
牧馬人 |
類別 |
參考資料 |
內容簡介 |
倪田(西元一八五五-一九一九年),江蘇揚州人。初名寶田,字墨耕,又號璧月盦主。曾隨王素習畫,後行商至上海,再師任頤。畫風受任氏影響極深。
老少牧人與三頭壯碩馬匹,徘徊樹蔭下,狀甚閒適。寫樹帶有金石筆趣,線條蒼勁古樸。畫馬則發揮水墨淋漓之趣,饒富瀟洒墨韻,畫成於甲寅(一九一四年),時六十歲。
本幅為蔡辰男先生捐贈。
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內容簡介 |
倪田(西元一八五五-一九一九年),江蘇揚州人。早年學畫於王小梅,善人物、走獸。中年以後到上海,受任頤影響,參用任法,花卉、人馬,擅勝於時。
本幅畫老少牧人與三匹壯碩的馬,徘徊松蔭下,狀甚閒適。畫樹的線條帶有蒼勁古樸的金石筆趣,畫馬則表現濕潤的墨韻。畫成於甲寅,時六十歲。
本幅為蔡辰男先生捐贈。
|
內容簡介 |
倪田(1855-1919),江蘇揚州人。初名寶田,字墨耕,又號璧月盦主。曾隨王素習畫,善人物、走獸。後至上海行商,再師任頤,畫風受其影響極深,花卉、人馬,擅勝於時。
本幅畫老少牧人與三匹壯碩馬匹,徘徊於松等樹蔭下,狀甚閒適。寫樹帶有金石筆趣,線條蒼勁古樸。畫馬則表現濕潤感,有水墨淋漓之趣,饒富瀟洒墨韻,畫成於民國三年(1914)歲甲寅,時年六十。
蔡辰男先生捐贈於民國73年。
(20120106)
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Description |
Ni Tian (early name Baotian, style name Mogeng, sobriquet Biyue anzhu) was a native of Yangzhou in Jiangsu. He learned painting from Wang Su and excelled at figures and animals. He later went to Shanghai to engage in business, also studying under Ren Yi. Ni Tian was greatly influenced by Ren’s style and even surpassed his flowers and figures with horses.
This painting depicts a young and old herder along with three strong horses standing with considerable leisure in the shade of various trees, including a pine. The rendering of the trees has some of the brush mannerisms of the Bronze and Stone school, the lines being hoary and archaic. The horses were done with brushwork as if dripping wet, creating a very free and easy manner. This painting was done in 1914 by Ni at the Chinese age of 60.
Mr. Ts’ai Ch’en-nan donated this painting to the National Palace Museum in 1984.
(20120106)
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Description |
Ni T’ien, a native of Yangchow in Kiangsu Province, studied painting in his youth under Wang Hsiao-mei and excelled at figures and animals. From his middle years onwards, he lived in Shanghai and was influenced by the style of Jen I. Adopting some of Jen’s style, Ni’s paintings of flowers and horses and figures became popular at the time.
This painting, donated by Mr. Ts’ai Chen-nan, shows a youth and old man tending to 3 stalwart horses under a pine tree in a scene of leisure and rest. The lines of the trees have an archaic and powerful manner associated with calligraphy based on bronze and stone inscriptions. The rendering of the horses, however, reveals a rich harmony of ink. This work was done by Ni in 1914 at the age of 60.
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Description |
Ni T’ien (style name Mo-keng and sobriquet Pi-yueh an-chu) was originally a student of Wang Su (1794-1877) and later traveled to Shanghai and studied under Jen I (Po-nien; 1840-1895), whose influence is seen in Ni’s works.
Two herdsmen tend to three horses in the shade of a pine tree. They appear quite tranquil and comfortable. Executed in brushwork influenced by stone and bronze inscriptions, the tree exudes a flavor of ancient strength. In contrast, the horses are portrayed in wet ink work that seems casual and refined. This painting was completed in 1914.
This painting was donated to the Museum by Mr. Ts’ai Ch’en-nan.
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參考書目 |
1.劉芳如,〈清倪田松蔭牧馬〉,收入劉芳如主編,《十九世紀末期中西畫風的感通之二--國立故宮博物院所藏同時期名家作品展》(臺北:國立故宮博物院,1993年初版),頁120。
2.林柏亭、張華芝,〈清倪田松陰牧馬圖〉,收入林柏亭、張華芝編,《畫馬名品特展圖錄》(臺北:國立故宮博物院,1990年元月初版),頁107-108。
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收藏著錄 |
蔡辰男先生捐贈書畫目錄,頁75、127
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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