| 文物統一編號 |
贈書000182N000000000
|
| 作品號 |
贈書00018200000 |
| 品名 |
清錢灃行楷書詩冊 冊
Album of Poetry in Semi-Regular Script |
| 分類 |
法書 |
| 作者 |
錢灃,Qian Feng |
| 書體 |
楷書 |
| 數量 |
一冊：十六開（本幅十五開二十九幅；後副葉一開） |
| 作品語文 |
漢文 |
| 位置 |
尺寸(公分) |
| 本幅 |
28.5x19.5 |
| 後副葉 |
37.6x46.2 |
| 全幅 |
47.8x47.2 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 題籤 |
曾熙
印記 expand_more
|
封面 |
丙辰（西元一九一六年）三月農髯為沖甫兄額此 |
行楷書 |
南園先生真行書冊子。丙辰（西元一九一六年）三月農髯為沖甫兄額此。 |
|
|
| 題跋 |
譚澤闓
印記 expand_more
|
第十六開 |
丙辰四月（西元一九一六年）初三約同人作南園生日。沖甫攜至。瓶齋敬觀。澤闓記。 |
行楷書 |
丙辰四月（西元一九一六年）初三約同人作南園生日。沖甫攜至。瓶齋敬觀。澤闓記。 |
|
|
| 題跋 |
譚澤闓
印記 expand_more
|
第十六開 |
乙丑（西元一九二五年）十月重借至瓶齋留看旬日。因記。長至日澤闓。 |
行楷書 |
乙丑（西元一九二五年）十月重借至瓶齋留看旬日。因記。長至日澤闓。 |
|
|
| 題跋 |
譚澤闓
印記 expand_more
|
第十六開 |
澤闓 |
行楷書 |
戊辰（西元一九二八年）清明錢沖甫售所藏書畫。余以重值收得此本。距乙卯（西元一九一五年）李筠安持來時十四年矣。欣憙記之。澤闓。 |
|
|
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
易煥鼎 |
易煥鼎號銘六一字演公 |
| 收傳印記 |
譚澤闓 |
瓶齋曾觀 |
| 收傳印記 |
譚伯羽 |
習是齋藏天隨閣遺篋珍品（重一） |
| 收傳印記 |
譚伯羽 |
習齋臨過（重一） |
| 收傳印記 |
易煥鼎 |
銘六鑑藏 |
| 類別 |
參考資料 |
| 內容簡介 |
錢灃（一七四O－一七九五）籍貫雲南昆明，乾隆年間考中進士以後，開始仕宦生涯。他為人端正，工作負責認真，在擔任監察御史的時候，不畏懼和珅權大勢大，上疏直言和珅的過失，因此深受人民敬愛。後來他又任職軍機處，卻因為工作勞累過度，一病不起。
錢灃寫得一手好顏字，不但筆力厚實，那股端莊穩重的氣度，讓人有見字如見人的感覺。錢灃一直以工作為重，他喜歡書法，但是並不期許自成一家。當時他的書法已經得到書如其人的好評，許多想學顏字的人，就從學錢灃的字入手。如此一來，顏真卿的書法經由錢灃流傳開來，更見普及。
|
| Description |
Ch'ien Feng, a native of Yunnan province, was a chin-shih civil service candidate of 1771. He went on to serve as Investigating Censor. A dedicated and straightforward official, he did not fear to speak his mind and was therefore admired by many. Also serving in the Council of State, he fell ill from exhaustion and passed away.
In calligraphy, Ch'ien Feng was famous for his study of the Yen Chen-ch'ing (709-785) style. Ch'ien's characters in standard script were even and his brushwork strong and solid, and he was able to achieve the aura of stability and solidity that marks Yen's style. Indeed, Ch'ien's straightforward manner in calligraphy is a reflection of his character. Focusing on his career as an official and doing calligraphy as a pastime, he did not establish a style of his own. Nonetheless, his style was admired by many. Calligraphers wishing to study the Yen Chen-ch'ing style often started with that of Ch'ien Feng. This has helped to perpetuate and spread the styles of both Yen and Ch'ien.
|
| 收藏著錄 |
譚伯羽譚季甫先生昆仲捐贈文物目錄，頁178、300-302
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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