清何紹基行書七言聯 軸
Seven-character Couplet in Semi-cursiv Script
法書
小海銀魚吹白浪。層樓珠酒出紅霞。雲皐屬。何紹基。
| 文物統一編號 | 贈書000268N000000000 |
| 作品號 | 贈書00026800000 |
| 品名 |
清何紹基行書七言聯 軸 Seven-character Couplet in Semi-cursiv Script |
| 分類 | 法書 |
| 作者 | 何紹基,He Shaoji |
| 書體 | 行書 |
| 數量 | 二軸 |
| 作品語文 | 漢文 |
| 釋文 | 小海銀魚吹白浪。層樓珠酒出紅霞。雲皐屬。何紹基。 |
| 位置 | 尺寸(公分) |
|---|---|
| 全幅 | 141x23.1 |
| 本幅 | 98.8x18 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 紙 |
| 題跋類別 | 作者 | 位置 | 款識 | 書體 | 全文 |
|---|---|---|---|---|---|
| 簽 | 譚澤闓 | 包首 | 蝯叟行書七言。上。中年精品。 | ||
| 簽 | 譚澤闓 | 包首 | 爰叟行書七言。下。瓶齋秘笈。 |
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 收傳印記 | 譚伯羽 | 習是齋藏天隨閣遺篋珍品 |
| 作者印記 | 何紹基 | 子貞 |
| 作者印記 | 何紹基 | 何紹基印 |
| 類別 | 參考資料 |
|---|---|
| 收藏著錄 | 譚伯羽譚季甫先生昆仲捐贈文物目錄，頁67、188、315 |
| 網頁展示說明 | 何紹基（西元1799-1873年），湖南道州（今道縣）人。字子貞，號東洲居士，晚號蝯叟。道光十六年（1836）進士，工經術詞章，尤精於說文考訂之學和金石碑版文字。其書法以唐代的顏真卿為根基，上溯周秦、兩漢篆隸，下至六朝南北碑拓，晚年則隸篆真行融為一體，卓然自成一家。此幅的聯文：「小海銀魚吹白浪，層樓珠酒出紅霞」，充滿了愜意之趣。何紹基的行書，用中鋒筆，微有顫動之勢；字常不為繩墨所拘，有著從容閒適的感覺，並時有欹斜之態，本幅正為典型的代表作之一。 |
| 網頁展示說明 | Ho Shao-chi (tzu Tzu-chen, hao Tung-chou chu-shih, wan-hao Yuan-sou,) was a native of Tao-chou (modern Tao-hsien), Hunan province. He passed the chin-shih examinations in the 16th year of the Tao-kuang reign (1836). He particularly excelled in textual research of the Shuo-wen dictionary and metal and stone script. His calligraphic style is based on the work of the T'ang master Yen Chen-ch'ing, though it also bears influences from the seal and clerical script of the Chou, Ch'in, and Han dynasties up to the stele rubbings produced in the Six Dynasties and Northern and Southern Dynasties. Later in his career, Ho fused clerical, seal, standard and running scripts together to produce an exemplary calligraphic style of his own. The couplet on this scroll reads: "In small ocean, silver fish release white caps upon the waves. In the storied pagoda, pearls of wine bring forth the vermilion sky," richly conveying a feeling of contentment. Ho Shao-chi's running script style is marked by its centered brushwork and slightly quivering strokes. The characters are often unrestrained by conventional calligraphic methods, at times composed and leisurely while at other times oblique. This particular work is a classic example of Ho's style. |
| 參考書目 | 何炎泉，〈清何紹基行書七言聯 軸〉，收入宋兆霖主編《天保九如-九十年來新增文物選粹》（臺北：國立故宮博物院，2015.10），頁254-255。 |
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