文物統一編號 |
故畫001544N000000000
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作品號 |
故畫00154400000 |
品名 |
元人畫四孝圖 卷
Four Paragons of Filial Piety |
分類 |
繪畫 |
作者 |
Anonymous |
數量 |
一卷 |
題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
題跋 |
李居敬 |
本幅 |
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楷書 |
四孝圖序。孝者。士君子修身齊家之第一義也。引而申之。雖治國平天下道上。不此乎外矣。語曰。孝弟也者。其為仁之本歟。孔子曰。唯孝弟(點去)友于兄弟。施於有政。是上為政矣。天下之事。豈有以加於此哉。燕山陳公國瑞。嘗得古孝子圖。於工畫者。自大舜而下。凡二十有四人。特珍之。又各詳錄本傳。附於其左。奇意已為人。苟知孝則子焉。而之順其親弟焉。而知敬其長上。以愛使下。下以敬事上。歡然有恩以相愛。燦然有文以相接。孝弟行於家。推之仁。民則愛。而公由仁。民而達之。於物則無不各得其所。特在隨其地而充廣之耳。孝之於人。淵乎博哉。且公之珍是圖也。其有望於將來之意。謂何如邪。平居則視親於無形之時。聽親於不聞之表。由中之誠。出於天性。但知有親為所當為。其於孝不孝。何暇計哉。如舜以不順乎親。而怨慕之心愈篤。竟至於底豫。閔子見責。而忠養之勤益堅。率感後母為慈愛。蔡順以分椹而感賊父。舉以殺子而得金。蓋處危難之中。惟知捐軀以奉親。其孝與否。雖不暇計。亦不必論也。後世有志於是者。當心古人之心得。其心則二十四子之事。吾皆可為。若規規焉。求古人於事為之。末則雖有割股懷橘分椹泣筍等事。亦不免近名之誚。然後知古人入孝出忠之心。或在此而不在彼也。然則公之藏是圖。非以為美觀玩適而設。其所以為修身之資。訓子之方者。意圖有在矣。異時其子與孫。因圖以求其人。由人以考其事。因事以察其心。則公珍藏斯圖之意。庶不孤矣。不然徒以資披玩而已耳。於我何有焉。天曆庚午(西元一三三0年)三月既望。魚棠李居敬序。 |
印記類別 |
印主 |
印記 |
收傳印記 |
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半印一不辨 |
鑑藏寶璽 |
清內府印 |
石渠寶笈 |
鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
鑑藏寶璽 |
清高宗 |
養心殿鑑藏寶 |
類別 |
參考資料 |
內容簡介 |
「四孝圖」描繪故事四則,以圖文相間的方式表達。第一則述王武子之妻割股作羹湯,治癒婆母寒疾;第二則述三國陸績因其母好食橘,乃於進謁袁術席間,懷橘以奉母;第三則述晉王祥為母病中思食鯉魚於冬月,而至江上臥冰求鯉;第四則述後漢曹娥之父溺斃江中,不得屍靈,至娥投江,三日後方抱父屍出。是皆孝心感人之事蹟,卷末並附李居敬四孝圖序,論孝之精義。通幅人物,以勻稱之線條為主,細挺而有力。
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Description |
This painting illustrates four stories of filial piety employing narrative and pictorial elements. The first story depicts the wife of Wang Wu-tzu cutting off part of the flesh from her thigh for a medicinal broth to cure her mother-in-law's cold. The second story illustrates Lu Chi of the Three Kingdoms (220-280) taking oranges while at a banquet held by Yuan Shu and presenting them to his mother because his mother loved to eat oranges. The third story depicts Wang Hsiang of the Western Chin dynasty (265-316) lying on the ice in winter so that he could fish for carp because his mother wanted to eat carp when she was il1. The fourth story illustrates Ts’ao 0 of the Later Han dynasty (25-220) throwing herself into the river because her father drowned there and his corpse was not found. After three days, both corpses emerged, Ts'ao 0 holding her father. These are all stories about filial piety. At the end of the scrol1, there is a postscript written by Li Chu-ching discussing the essential significance of filial piety. The figures in this scroll have been depicted mainly through lines which are fine and strong.
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收藏著錄 |
石渠寶笈初編(養心殿),上冊,頁627
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收藏著錄 |
故宮書畫圖錄,第十八冊,頁47-50
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收藏著錄 |
故宮書畫錄(卷八),第四冊,頁39
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參考書目 |
1.馬孟晶,〈元人四孝圖〉,收入劉芳如、張華芝主編,《群芳譜 — 女性的形象與才藝》(臺北:國立故宮博物院,2003年初版一刷),頁106-107。
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參考書目 |
陳韻如,〈元人畫四孝圖 卷〉,收入《公主的雅集-蒙元皇室與書畫鑑藏文化特展》(臺北:國立故宮博物院,2016.10),頁192-201、295-296。
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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