| 文物統一編號 |
故畫000009N000000000
|
| 作品號 |
故畫00000900000 |
| 品名 |
唐韓幹猿馬 軸
Gibbons and Horses |
| 分類 |
繪畫 |
| 作者 |
韓幹,Han Gan |
| 數量 |
一軸 |
| 位置 |
尺寸(公分) |
| 本幅 |
136.8x48.4 |
| 全幅 |
274.8x71.3 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 題跋 |
宋徽宗
印記 expand_more
|
本幅 |
|
楷書 |
唐韓幹筆。 |
|
|
| 題跋 |
清高宗
印記 expand_more
|
本幅 |
辛巳（西元一七六一年）春日御題。 |
行書 |
馬放霜蹄馳峻坂。猿伸月臂掛喬枝。既云意寓㕘同契。淩厲超騰又底為。辛巳（西元一七六一年）春日御題。 |
|
|
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
宋理宗 |
緝熙殿寶 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
重華宮鑑藏寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆御賞之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
樂善堂圖書記 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
走獸 |
馬 |
二匹 |
| 次要主題 |
走獸 |
猿 |
三隻 |
| 其他主題 |
山水 |
奇石 |
|
| 其他主題 |
樹木 |
|
|
| 其他主題 |
樹木 |
竹 |
|
| 其他主題 |
樹木 |
寒林．枯樹 |
枯樹 |
| 類別 |
參考資料 |
| 內容簡介 |
此幅繪竹石樹林，三猿戲於枝間石上，其下繪黑白雙駿，作徐行之狀。無款，舊題韓幹作，但徽宗題字和「御書」一璽，及理宗「緝熙殿寶」璽皆存疑，故當為後人仿作。韓幹，大梁人（河南開封），亦有作長安或藍田人。天寶（七四二－七五五）初，召入宮中為供奉。曾師曹霸，以畫馬而得名，唐張彥遠極為推崇之。
|
| 內容簡介 |
本幅無款，舊題唐代韓幹作。韓幹，大梁人（河南開封），亦有作長安或藍田人。天寶（七四二－七五五）召入宮中為供奉。曾師曹霸，以畫馬而得名，唐張彥遠極為推崇之。此幅繪竹石樹林，三猿戲於枝間石上，其下繪黑白雙駿。畫上宋徽宗題字和「御書」一璽，及理宗「緝熙殿寶」璽皆偽，當為後加。然畫中不論猿、馬、樹石、枝葉，皆描繪細膩，或為南宋作品。
|
| Description |
With no seal or signature of the artist, this work was attributed to Han Kan. A native of Ta-liang (modern K’ai-feng, Honan), he is also said to be from Ch’ang-an or Lan-t’ien. Called to court in the T’ien-pao era (742-755), he studied under Ts’ao Pa and was famous for painting horses, being admired by the T’ang critic Chang Yen-yuan. In this work of bamboo, rocks, and trees are 3 gibbons among branches and on a rock. Below are a black and a white steed leisurely trotting. The inscription and yu-shu (“imperial work”) seal of the Sung emperor Hui-tsung and “Treasure of the Ch’i-hsi Hall” seal of the Sung emperor Li-tsung are spurious and later additions. All the motifs are finely rendered, though, suggesting a Southern Sung (1127-1279) date.
|
| Description |
In the upper part of this picture are three gibbons-one plays on a large rock and two are among tree branches. Under the tree, two horses canter side-by-side. Though the painting has neither seal nor signature of the artist, it has been traditionally attributed to Han Kan. The Hui-tsung (r. 1101-1125) inscription and Yu-shu ("Imperially-written") seal, as well as the Ch'i-hsi-tien pao ("Treasure of the Ch'i-hsi Hall") seal of Li-tsung (r.1225-1264), also seem suspicious, suggesting that this painting was probably done by a later painter. Han Kan was a native of Ta-liang (K'ai-feng, Honan), though some records indicate that he came from Ch’ang-an or Lan-t'ien, Shensi. He entered court service in the early T'ien-pao era (742-755) as a painter and studied under Ts’ao Pa, a famous painter of horses. He, too, became famous for painting horses. His works were highly admired by Chang Yen-yuan (ca. 815-after 875), the T'ang connoisseur and critic.
|
| 收藏著錄 |
石渠寶笈初編（重華宮），下冊，頁792
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁7
|
| 收藏著錄 |
故宮書畫圖錄，第一冊，頁21-22
|
| 參考書目 |
1.林柏亭、張華芝，〈唐韓幹猿馬圖〉，收入林柏亭、張華芝編，《畫馬名品特展圖錄》（臺北：國立故宮博物院，1990年元月初版），頁81-82。
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
抽盤點紀錄
修護紀錄
