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唐宋元明集繪 冊 宋馬遠山水人物

Figures and Landscape

繪畫

文物統一編號 故畫003459N000000019
作品號 故畫00345900019
品名 唐宋元明集繪 冊 宋馬遠山水人物
Figures and Landscape
分類 繪畫
作者 馬遠
數量 一幅
位置 尺寸(公分)
本幅 31x26.8
質地位置 質地
本幅
題跋類別 作者 位置 款識 書體 全文
作者款識 馬遠 本幅 馬遠 楷書
題籤 楷書 宋馬遠
印記類別 印主 印記
收傳印記 (一印不識)
收傳印記 玉峰顧信善夫收藏印
收傳印記 陸氏家藏世寶
主題類別 主題(第一層) 主題(第二層) 主題說明
次要主題 人物 高士(士人、隱士) 高士
次要主題 花草 梅(白.紅.蠟梅) 白梅
其他主題 人物 侍從(侍女、童僕) 童僕
其他主題 山水
其他主題 建築 欄杆
其他主題 器用
其他主題 器用 文房用具 筆、紙、硯、水盂
其他主題 器用 傢俱(屏風) 獸皮座墊
其他主題 樹木
技法 技法細目
人物衣紋描法(勻稱線條)
皴法 斧劈皴
寫意
類別 參考資料
內容簡介 馬遠,字欽山,興祖孫,世榮子,逵弟,宋光、寧朝(西元1189─1224年)畫院待詔。畫山水、人物、花禽,種種臻妙,雖得自家傳,然能自樹一幟,與夏珪齊名,時稱馬夏。以遠構圖多偏一隅,故人又稱馬一角。 本幅山石用大斧劈,樹用拖枝,遠處以淡墨渲染,空濛迷茫,充滿空氣感。一老者彎腰弓背,全神貫注閱讀經卷,童子持卷侍立。通幅用筆精簡,人物衣紋線條轉折有力。
Description Ma Yuan (style name Ch’in-shan) was the grandson of Ma Hsing-tsu, son of Ma Shih-jung, and younger brother of Ma K’uei—all of whom were gifted painters. Ma Yuan himself was a Painter-in-Attendance at the courts of emperors Kuang-tsung and Ning-tsung (1189-1224). He was a marvelous painter of all genres, including landscapes, figures, and birds and flowers. Although he inherited his family tradition of painting, he was able to establish his own style. He and his contemporary Hsia Kuei were later collectively known as “Ma-Hsia.” Because Ma Yuan often used one-corner landscape compositions, he was also later known as “One-corner Ma.” The boulders depicted in this painting have been modeled with large “axe-cut” texture strokes, the trees depicted with “dragged” branches, and the areas of the distance brushed in with washes of ink to fill the vast distance with an airy feeling. An old man bends over arching his back as he focuses all his attention on studying a sutra scroll as a boy servant stands holding a scroll. The entire painting has been done in fine and simple brushwork, and the lines of the figures and the clothing are also certainly typical of a Ma Yuan work.
收藏著錄 故宮書畫圖錄,第二十八冊,頁190-197
收藏著錄 故宮書畫錄(卷八),第四冊,頁160
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