| 文物統一編號 |
故畫003538N000000007
|
| 作品號 |
故畫00353800007 |
| 品名 |
明人便面畫冊（二） 冊 明陸治桃花木蘭
Peach Blossoms and Magnolias |
| 分類 |
繪畫 |
| 作者 |
陸治 |
| 創作時間 |
明世宗嘉靖四十年（1561） |
| 數量 |
一幅 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
木蘭（辛夷） |
|
| 主要主題 |
花草 |
桃花 |
|
| 類別 |
參考資料 |
| 內容簡介 |
陸治（西元一四九六－一五七六年），江蘇蘇州人。字叔平，住在包山，因號包山子。以孝友著稱，好為詩及古文辭，善行楷，尤通繪事，遊祝允明、文徵明之門。其於繪畫，力求出奇致勝。工寫生，點染花鳥竹石亦頗能傳神，是明代有名的畫家。
玉蘭花或盛開或含苞，再配以桃枝。扇面尺幅之間，布局並不複雜，畫花卉全以得勢為主，本幅出枝、開花，上下頗能貫串，一分條暢感，躍然紙上，成畫於六十六歲。本幅為「明人便面畫冊（二）」冊第七開。
|
| Description |
Lu Chih was a native of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He was famous for his filial piety and loyal friendship. An accomplished poet, writer, painter and calligrapher, he was a student of such artistic luminaries as Chu Yun-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his paintings he gave full play to his idiosyncratic style. He excelled at drawing from life, and his flower-and-bird and bamboo-and-rock paintings show a great sense of animation. Lu became a well-known Ming dynasty painter.
Magnolias in buds or in full bloom arranged with a branch of peach blossoms presents a very uncomplicated composition in this painting. Of primary importance in flower painting is attaining a proper positioning of composition. The branches and flowers in bloom are united smoothly, evoking a very vivid picture. This work was completed when the artist was sixty-six.
|
| 參考書目 |
1.王耀庭、張華芝，〈明陸治桃花玉蘭〉，收入王耀庭、張華芝編，《明陸治作品展覽圖錄》（臺北：國立故宮博物院，1992年初版），頁77。
|
| 收藏著錄 |
故宮書畫圖錄，第三十冊，頁218-223
|
| 收藏著錄 |
石渠寶笈初編（養心殿），上冊，頁498
|
| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁165
|
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