| 文物統一編號 |
故畫003535N000000003
|
| 作品號 |
故畫00353500003 |
| 品名 |
明人畫扇集冊貳冊 (下) 冊 明陸治海棠
Crab Apple Blossoms |
| 分類 |
繪畫 |
| 作者 |
陸治 |
| 數量 |
一幅 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
陸治
印記 expand_more
|
本幅 |
曉日曈朧溢露華。輕綃零亂掩流霞。東皇未許春光洩。猶與芳雲一半遮。陸治。 |
行楷書 |
|
|
|
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
|
保貽 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
海棠（木） |
|
| 類別 |
參考資料 |
| 內容簡介 |
陸治（西元一四九六－一五七六年），江蘇蘇州人。字叔平，住在包山，因號包山子。以孝友著稱，好為詩及古文辭，善行楷，尤通繪事，遊祝允明、文徵明之門。其於繪畫，力求出奇致勝。工寫生，點染花鳥竹石亦頗能傳神，是明代有名的畫家。
畫木本海棠。凡畫花卉不論工緻寫意，落筆有如布棋，俱以得勢為主，取勢以枝梗為先，本幅雖僅三枝，但自有一份生動之意，是穿插得宜所致，設色亦古雅。
本幅為「明人畫扇集冊－下」冊第三開。
|
| Description |
Lu Chih was a native of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He was famous for his filial piety and loyal friendship. An accomplished poet, writer, painter and calligrapher, he was a student of such artistic luminaries as Chu Yun-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his paintings he gave full play to his idiosyncratic style. He excelled at drawing from life, and his flower-and-bird and bamboo-and-rock paintings show a great sense of animation. Lu became a well-known Ming dynasty painter.
When depicting a crab-apple tree, whether employing the kung-pi (meticulous depiction) or hsieh-i (impressionistic sketch) method, the composition of such a flower painting resembles the deployment of go-game pieces. Of primary importance is to establish a proper stance, which in painting relies on the positioning of the branches. Although there are only three branches in the painting, there is still a sense of vitality which serves to further the quality of the piece. The application of color is antique and elegant. This is the third leaf from A Collection of Fan Paintings by Ming Artists, vol. II.
|
| 收藏著錄 |
故宮書畫圖錄，第三十冊，頁204-207
|
| 收藏著錄 |
石渠寶笈初編（重華宮），下冊，頁730
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| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁164
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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