| 文物統一編號 |
故畫001774N000000000
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| 作品號 |
故畫00177400000 |
| 品名 |
唐人呂岩像 軸
Portrait of Lu Yen |
| 分類 |
繪畫 |
| 數量 |
一軸 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 題跋 |
焦竑
印記 expand_more
|
邊幅 |
|
草書 |
唐人寫仙佛者。吳道子而下。必數盧楞伽。第以年久罕覯真跡。客歲七月。友人吳孝甫再自贛歸。出眎此呂洞賓像。孝甫嘆為盧生親筆。予未敢譍也。今年四月既望。孝甫又得盧生所寫渡水僧圖。乃宋徽廟儲藏。有標題印記。信而有徵矣。筆法與此圖絕肖。孝甫真不辜鑑古之譽哉。因書於右方。以俟博古者考焉。天啟辛酉（西元一六二一年）歲五月之朔。秣陵焦竑弱侯甫。記於吳氏之君子軒中。 |
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|
| 題籤 |
印記 expand_more
|
邊幅 |
|
篆書 |
唐盧楞伽畫呂洞賓像。吳氏珍賞真跡。 |
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|
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
吳孝甫 |
君子軒 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
珠林三編 |
| 鑑藏寶璽 |
清內府印 |
秘殿珠林 |
| 鑑藏寶璽 |
清高宗 |
乾隆御覽之寶 |
| 鑑藏寶璽 |
清高宗 |
乾隆鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
佛道人物 |
道（道士、道姑） |
呂洞賓 |
| 次要主題 |
器用 |
兵器 |
劍 |
| 次要主題 |
器用 |
籃．簍．籮筐 |
|
| 類別 |
參考資料 |
| 內容簡介 |
呂岩字洞賓，相傳是唐代人，為八仙中傳聞最廣的一位仙人。道教和民間為他編織了「劍仙」、「酒仙」、「詩仙」等仙話。其未成仙之前曾流落，在長安酒肆中遇到漢鍾離，「黃粱一夢」，於是感悟，經過漢鍾離生死財色十試，心無所動，於是受金液大丹靈寶畢法，終於得道。元代王重陽創立全真道後，被奉為北五祖之一，又尊稱「呂祖」。本幅畫呂洞賓背劍提籃，掐指凝思，臨風中一股出塵仙氣。以風格論，是明代浙派畫家所作。
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| Description |
Lu Yen is better known by his style name, Tung-pin. According to tradition, he lived during the T'ang dynasty and later became known as the most famous of the Eight Immortals. In both Taoist and folk beliefs, numerous stories have arisen concerning him, such as "Sword Immortal,""Drunken Immortal," and "Poet Immortal." Before becoming an immortal, he was said to have been a beggar roaming about the capital of Ch'ang-an when he met Han Chung-li, another of the Eight Immortals, in a wine shop. Lu became enlightened to the Tao and passed Han's Ten Tests of Immortality. Han thereupon taught Lu the Precious Method of Refining the Elixir of Immortality. Later, after Wang Ch'ung-yang established the Ch'uan-chen Sect in the Yuan dynasty (1279-1368), Lu Yen became one of the "Five Northern Ancestors" and was reverently called "Ancestor Lu." Here, Lu Tung-pin appears with a sword slung behind his back and holding a basket. His gesture and gaze suggest he is in thought, while a breeze provides an otherworldly feel. The style appears to be that of the Che School in the Ming dynasty (1368-1644).
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| 參考書目 |
1.王耀庭，〈唐人呂岩像〉，收入王耀庭、童文娥編，《長生的世界：道教繪畫特展圖錄》（臺北：國立故宮博物院，1996年初版），頁70。
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| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁54
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| 收藏著錄 |
故宮書畫圖錄，第一冊，頁47-48
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