| 文物統一編號 |
故畫002336N000000000
|
| 作品號 |
故畫00233600000 |
| 品名 |
明陳洪綬古木雙鳩圖 軸
Two Pigeons in an Old Tree |
| 分類 |
繪畫 |
| 作者 |
陳洪綬 |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
翎毛 |
|
兩隻 |
| 主要主題 |
樹木 |
寒林．枯樹 |
枯樹 |
| 其他主題 |
花草 |
荊枝 |
|
| 其他主題 |
樹木 |
|
|
| 類別 |
參考資料 |
| 內容簡介 |
陳洪綬（西元一五九八－一六五二年），字章侯，號老蓮，甲申後自號老遲，又號悔遲、弗遲、雲門僧、九品蓮臺主者，浙江諸暨人。畫法遒逸，善山水，尤工人物。
老樹畫禿，不畫細枝，雙鳩棲於其上。樹後大葉喬木一株，樹下襯以荊棘坡石。古木枝幹圓勁有如篆籀，荊棘筆爽利而有擒縱，坡石起伏頓挫，皴法流暢靈動。焦墨大筆點苔，益增其精警。綾本光潔，用色甚澹，秋色荒寒野趣，躍然紙上。
|
| Description |
Ch’en Hung-shou was a native of Chu-chi, Chekiang. His style name was Chang-hou, and his many sobriquets included Lao-lien (Old Lotus), Lao-chih, Hui-seng, Wu-chih, and Yun-men-seng. His calligraphy was intriguing and forceful and he specialized in landscape and figure painting.
Two “pigeons” perch in a leafless old tree whose small branches have long since disappeared. Behind the old tree grows a taller tree with large leaves, and below, several brambles project from a small incline. The brushstrokes in the branches of the old tree are dry, round, and forceful, resembling those used in seal script characters. The small incline in the lower part of the composition curves gently, while the texture strokes that define its surface are lively and flowing. The moss dots in rich, black ink further enliven the composition. The colors on the glossy silk are light and somber. This autumn scene, barren and cold, captures the feeling of wildness in nature, and certainly ranks among the very best of Ch’en Hung-shou’s paintings from life.
|
| 參考書目 |
1.〈明陳洪綬古木雙鳩〉，收入國立故宮博物院編，《晚明變形主義畫家作品展》（臺北：國立故宮博物院，1977年九月初版），頁480。
|
| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁88
|
| 收藏著錄 |
故宮書畫圖錄，第九冊，頁109-110
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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