文物統一編號 |
故畫001255N000000008
|
作品號 |
故畫00125500008 |
品名 |
名賢妙蹟 冊 元倪瓚野石修篁
Rock and Bamboo |
分類 |
繪畫 |
作者 |
倪瓚 |
數量 |
一幅 |
位置 |
尺寸(公分) |
本幅 |
25.8x28.7 |
對幅 |
25.8x28.7 |
題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
題籤 |
|
|
|
楷書 |
倪瓚野石修篁。 |
作者款識 |
倪瓚 |
本幅 |
野石修篁 |
行楷書 |
|
題跋 |
清高宗
印記 expand_more
|
對幅 |
|
行書 |
一磈石依幾個篁。天然氣韻正相當。設如二友尋名氏。伯仲之間見謝王。 |
|
印記類別 |
印主 |
印記 |
收傳印記 |
朱之赤 |
希之 |
鑑藏寶璽 |
清高宗 |
八徵耄念之寶 |
鑑藏寶璽 |
清高宗 |
太上皇帝之寶 |
鑑藏寶璽 |
清高宗 |
古希天子 |
主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
主要主題 |
山水 |
奇石 |
|
主要主題 |
樹木 |
竹 |
|
類別 |
參考資料 |
內容簡介 |
倪瓚(西元一三0一至一三七四年),字元鎮,號雲林,又署雲林子,或雲林散人。江蘇無鍚人。嘗築清閟閣,以藏其所收之古書畫。生平好學,工詞翰,善書畫。山水先以董源為師,後法荊關,好寫汀渚遙岑,小山竹樹等平遠景。晚年喜畫竹,以寫胸中逸氣。
本幅畫新篁數竿,一石獨立。竹葉繁疏濃淡有致,由其畫竹枝葉筆力,可見其書法精湛。石頭紋理變化,全以皴擦苔點構築,凹凸分明。此畫構圖精簡,意趣天成。
|
Description |
Ni Tsan was a native of Wu-hsi Kiangsu. His family was wealthy and possessed a fine collection of paintings and calligraphy. He was a scholar by nature, a skilled poet, calligrapher and painter. His landscapes were modeled after Tung Yuan, Ching Hao and Kuan T'ung. Ni Tsan excelled as a painter of river landscapes. Late in life he was fond of painting bamboo that was expressive of his personal feelings.
Several stalks of new bamboo grow by a single rock, their leaves designed with rhythmic clarity. Ni Tsan's bamboo reveals the extent of his brush-strength, and thus suggests his skill in calligraphy. The rock is formed with rubbed texture strokes and dots that skillfully describe its three-dimensionality. The painting's composition is pure and sparse, and the concept marvelously spontaneous and unforced.
|
收藏著錄 |
故宮書畫圖錄,第二十九冊,頁136-145
|
收藏著錄 |
石渠寶笈續編(養心殿),第二冊,頁1105
|
收藏著錄 |
故宮書畫錄(卷六),第四冊,頁243
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
抽盤點紀錄
修護紀錄