| 文物統一編號 |
故畫001289N000000008
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| 作品號 |
故畫00128900008 |
| 品名 |
名繪集珍 冊 宋黃居寀竹石錦鳩
Bamboo, Rocks, and Doves |
| 分類 |
繪畫 |
| 作者 |
黃居寀 |
| 數量 |
一幅 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 題籤 |
|
|
|
|
黃居寀竹石錦鳩 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
張孝思 |
張則之 |
| 收傳印記 |
宋徽宗 |
御書（瓢印） |
| 收傳印記 |
梁清標 |
棠邨審定 |
| 收傳印記 |
梁清標 |
蕉林玉立氏圖書 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
翎毛 |
斑鳩 |
|
| 次要主題 |
山水 |
溪澗、湍泉 |
溪澗 |
| 次要主題 |
樹木 |
竹 |
|
| 其他主題 |
山水 |
江河、湖海 |
江河 |
| 其他主題 |
花草 |
蘆葦 |
|
| 其他主題 |
樹木 |
|
|
| 類別 |
參考資料 |
| 內容簡介 |
竹樹巨石之側，流出一灣溪水。十隻斑鳩或飛翔、或理翎、或飲泉、或棲息，俱生動傳神。從畫坡土、石頭之表現法及風格來看，與屬李唐（西元1049─1130年後）風格之「萬木奇峰」頗為近似。但本幅在水墨皴筆之運用上較為巧熟，而且石塊組合的水墨陰陽濃淡對比，也比較強烈。由此推斷，本幅可能畫於十二世紀後半葉。本幅選自「名繪集珍」冊第八幅，舊傳為黃居寀（933─993以後）之作。黃氏，四川成都人，字伯鸞。花鳥畫名家黃筌之季子，能傳家學。
|
| 內容簡介 |
溪流兩岸虛實相應，一在烟嵐中僅見坡腳。一見坡石、竹與櫟樹等，斑頸鳩十隻活動其間。
舊傳黃居寀（933─993以後）所作，然意趣疏放並不相類。坡石風貌接近傳承李唐（約1049-1130後）風格之傳宋燕文貴（活動於10世紀末-11世紀初）「奇峰萬木」，同屬李唐一系作品。熟練度較高的筆法，濃淡對比較分明的山石墨色，於馬遠（活動於1190-1224）、夏珪（活動於1180-1230前後）時期更顯見，因推斷此作約完成於十二世紀下半葉。(20101015)
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| 內容簡介 |
本幅為「名繪集珍」冊第八幅，舊傳為黃居寀（西元九三三—九九三年以後）之作。竹樹巨石之側，流出一灣溪水。十隻斑鳩或飛翔、或理翎、或飲食、或棲息，俱生動傳神。從畫坡石之表現法及風格來看，與屬李唐（約一○四九—一一三○以後）風格之「奇峰萬木」頗為近似。但在水墨皴筆之運用上較為巧熟，且石塊組合的水墨陰陽濃淡對比，也比較強烈。由此推斷，本幅可能畫於十二世紀後半葉。
|
| Description |
This is the 8th leaf from the album Collected Gems of Famous Paintings. The old label identifies the painter as Huang Chu-ts'ai. Some bamboo appear next to the bend of a stream. Ten doves are shown in a variety of poses, including flight, preening, drinking, or at perch. From the description of the slope and the style, this painting appears related to Strange Peaks and Myriad Trees by Li T'ang (ca.1049-after 1130). The use of monochrome texture strokes, however, is more mature, and the arrangement of contrasts in light and dark ink for the volume of the rocks is also stronger. For these reasons, this album leaf might have been painted in the second half of the 12th century during the Southern Sung.
|
| Description |
The solid and void areas of the stream banks echo each other in this painting, with only the foot of the slope seen in hazy mist. Active in this scene amongst the rocky slopes, bamboo, and oak tree are ten spotted-necked doves.
The old attribution here is to Huang Jucai, but the more spacious feeling is unlike his other works. The appearance of the rocky slopes is closer to the style of “Strange Peaks and Myriad Trees,” attributed to the Song artist Yan Wengui (fl. late 10th c.-early 11th c.) as followed by Li Tang (ca. 1070-after 1150), making this work also in the Li Tang heritage. The high degree of maturity in the brushwork and the clear distinction between the contrast of light and dark ink tones for the rocks appear even more obvious in the period of Ma Yuan (fl. 1190-1224) and Xia Gui (fl. 1180-ca. 1230). Therefore, this work was probably done sometime in the latter half of the twelfth century.(20101015)
|
| Description |
Next to some bamboo, a tree, and a large rock, the bend in a stream is seen emerging. Ten doves appear in this lively scene; some are perched in the tree branches while others are flying or drinking from the stream. Judging from the style, especially the method of depicting the earthen bank and stones , this work is similar to “Myriad Trees and strange Peaks “by Li T'ang (ca. 1049-after 1130). However ,the use of texture strokes is more mature in this work, and the contrasts of light and dark area arranged among the rock surfaces (in terms of voids versus solids and heavy versus light washes of ink) is also stronger here. Thus , this painting may date from the latter half of the twelfth century. This is the eighth leaf from the album Ming-hui Chi-chen, and the old label gives Huang Chu-ts'ai as the painter. Huang chu-ts'ai(style name Po-luan) was a native of Cheng-tu, Szechwan, who was the son of the famous bird and flower painted Huang Ch'uan and his follower.
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| 收藏著錄 |
石渠寶笈三編（延春閣），第五冊，頁2490
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| 收藏著錄 |
故宮書畫錄（卷六），第四冊，頁180
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| 參考書目 |
1.林柏亭，〈黃居寀竹石錦鳩〉，收入國立故宮博物院編，《宋代書畫冊頁名品特展》（臺北：國立故宮博物院，1995年初版一刷），頁284-285。
2.林柏亭，〈「七十件書畫冊頁名品特展」精選(五) — 黃居寀竹石錦鳩〉，《故宮文物月刊》，第150期（1995年9月），頁92。
3.譚怡令，〈竹石錦鳩〉，收入何傳馨主編，《文藝紹興：南宋藝術與文化‧書畫卷》（臺北：國立故宮博物院，2010年十月初版一刷），頁372-373。
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| 收藏著錄 |
故宮書畫圖錄，第二十九冊，頁152-159
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| 參考書目 |
劉芳如，〈名繪集珍 冊 宋黃居寀竹石錦鳩〉，收入《來禽圖—翎毛與花果的和諧奏鳴》（臺北：國立故宮博物院，2019.01），頁40-45。
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| 參考書目 |
何傳馨，〈名繪集珍 冊 宋黃居寀竹石錦鳩〉，收入《文藝紹興-南宋藝術與文化‧書畫卷》（臺北：國立故宮博物院，2010.10），頁240-241、372-373。
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