| 文物統一編號 |
故畫001261N000000005
|
| 作品號 |
故畫00126100008 |
| 品名 |
歷代畫幅集冊 冊 無款梅雀
Magpies on a Plum Branch |
| 分類 |
繪畫 |
| 數量 |
一幅 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
|
□實 |
| 收傳印記 |
宋徽宗 |
大觀（半印） |
| 收傳印記 |
安國 |
桂坡安國鑑賞 |
| 收傳印記 |
|
盧□鑑賞之章 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
翎毛 |
山喜鵲 |
|
| 次要主題 |
花草 |
梅（白．紅．蠟梅） |
白梅 |
| 類別 |
參考資料 |
| 內容簡介 |
細雪飄花，山喜鵲一雙，倚偎於梅梢上。梅枝勾勒，線條精整，畫中梅，圈瓣以淡墨細線為之，外圍復以白粉提醒，萼則以胭脂紅敷染，色彩搭配，雖不繁複，令人有如於雪光下，見清雅君子，一塵不染。宋人作畫重理，畫花尤重寫生，此幅足為一例。前人論畫梅，枝幹交錯之法，有如「女」字，此幅雖為寫生一枝，亦於此法符合。
本幅為「歷代畫幅集冊」第八幅。
|
| Description |
In light snow and among graceful plum blossoms is perched a pair of magpies. The plum branches are outlined with delicate and orderly lines. In the painting of the plum blossoms, the petals were done with fine lines of light ink. The outer edges of the petals were redone in white to provide contrast, and the calyxes were rendered by washes of rouge. The colors complement each other, and though there are not many of them in the painting, the colors suggest the image of an elegant gentleman unsullied amidst the bright cold snow.
Sung dynasty artists emphasized the principles of paintings. In flower paintings, depicting from life was especially stressed, as this painting surely testifies. Theories of plum blossom painting by early critics include the method of plum branches and trunks crossing as do the strokes in the character "nu女." Even though there is only one plum branch in this painting that was depicted from life, it is nonetheless in agreement with this theory.
|
| 參考書目 |
1.〈宋作者佚名梅雀〉，收入國立故宮博物院編輯委員會編，《名寶上珍》（臺北：國立故宮博物院，1995年初版一刷），頁230。
2.劉芳如，〈宋無款梅雀〉，收入國立故宮博物院編輯委員會編，《畫梅名品特展》（臺北：國立故宮博物院，1991年元月初版），頁84。
|
| 收藏著錄 |
故宮書畫圖錄，第二十八冊，頁348-355
|
| 收藏著錄 |
石渠寶笈初編（重華宮），下冊，頁736
|
| 收藏著錄 |
故宮書畫錄（卷六），第四冊，頁258
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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