| 文物統一編號 |
故書000152N000000000
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故書000152N000000001
故書000152N000000002
故書000152N000000003
故書000152N000000004
故書000152N000000005
故書000152N000000006
故書000152N000000007
故書000152N000000B01
故書000152N000000B02
故書000152N000000B03
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| 作品號 |
故書00015200000 |
| 品名 |
宋常杓篆書宋人詞 冊
Song Poetry in Seal Script |
| 分類 |
法書 |
| 作者 |
常杓,Chang Biao |
| 書體 |
篆書 |
| 創作時間 |
宋理宗寶慶三年(1227) |
| 數量 |
一冊:十開(本幅七開十三幅;後副葉三開) |
| 作品語文 |
漢文 |
| 釋文 |
哨徧。為米折腰。因酒棄家。口體交相累。歸去來。誰不遣君歸。覺從前俱非今是。露未晞。征夫指予歸路。門前笑語喧童稚。嗟舊菊都荒。新松暗老。吾年今已如此。但小窗容膝閉柴扉。策杖看孤雲暮鴻飛。雲出無心。鳥倦知還。本非有意。噫。歸去來兮。我今忘我兼忘世。親戚無浪語。琴書中有真味。步翠麓崎嶇。泛舟窈窕。涓涓暗谷流春水。觀草木欣榮。幽人自感。吾生行且休矣。念寓形宇內復幾時。不自覺皇皇欲何之。委吾心。去留誰計。神仙知在何處。富貴非吾事。但知臨水登山嘯詠。自引壺觴自醉。此生天命更奚疑。且乘流。遇坎還止。(小篆)。太行之陽(作暘)。環抱兩山。盤(作般下同)谷真堪記。盤之間。泉(作灥)甘而土肥。草木蕃(作番)。居民尟至。或以為茲山宅幽而阻。隱人之所回旋地。嗟舊友良朋。李愿居此。其言真有(作又)深(作突)味。彼大丈夫者我知之。坐廊(作郎)廟。喜怒有恩威(作畏)。才俊盈前。窈(作穴皂) 窕閑居。命(作?)焉可致。噫(作?)。槃(作反般字)之間兮。野居窮處真(多示旁)忘世。漁(作魚魚)釣安所適。無疑憂。無譽毀。更黜步不(作否)知。廢興無與。丈夫不遇(作禺)當如此。嗟伺候權門。奔走勢路。走次趄嚅(作口殳)囁(作讘)而已。況汗羞(作反羞字)戮辱老無(作亡)恥。子韓子聞言而壯之。飲之酒。復歌以繫。盤之中。宮且稼。深阻誰爭矣。吁欷。盤(作槃)有未央之樂。壽且康兮無比。無(作亡)不足兮更奚望。願膏車禾未馬從子。(鐘鼎款識文)。水楓葉下。乍湖光清淺。涼生商素。西帝晨游羅翠蓋。擁出三千宮女。絳釆嬌春。鉛華掩晝。占斷鴛鴦浦。歌聲搖曳。浣紗(作沙)人在何處。別岸孤褭一枝。廣寒宮殿。冷落棲愁苦。雪豔冰肌羞淡泊。偷把胭脂注。媚臉籠霞。芳心泣露。不肯為雲雨。金波影里。為誰長恁凝竚。寶慶丁亥(西元一二二七年)。識樂易先生于求是先生琴齋。一日書暇。取檃括哨(徧)。俾作二體篆。前一闋歸去來。擬李監法。後一闋盤谷序。擬款識文。既就。適及中殊紅白蓮詞。因小篆於軸末。樂易隸學高古。得橫谿心傳。是猶飫珍羞嘗苜蓿云。七夕。河內常杓敬書。宣中篆畫。得之於印階。鳥跡書。葉蟲痕。妙處與洪碑暗合。如朝摹夕搨而成。危步嶧巔者。勞而無功也。此三詞皆入妙之筆。持贈千里知音。知音者。(下一字漫漶)隸師樂易趙先生也。戊子上巳。 |
| 位置 |
尺寸(公分) |
| 後副葉幅四 |
22.5x13.5 |
| 本幅 |
24.5x11.1 |
| 後副葉幅一至三 |
25.1x10.4 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 題跋 |
張寧
印記 expand_more
|
後副葉 |
成化庚子夏五。吳興庸生張寧為袁公謹跋。 |
行楷書 |
正篆廓落圓美。得二李筆法。款識文交畫處。填墨如雙鉤筆。鋒稜刓委。儼在鐘鼎古器中見之。但體製不類。恐非一國書。或出戴衕六書故。要之皆不易得。非近世任意盤屈。以取姿媚者所能到。昔人謂篆書不宜寫詞曲。歸去來詞盤谷序。自當無害也。成化庚子夏五。吳興庸生張寧為袁公謹跋。
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| 印主 |
印記 |
| 張寧 |
惜分陰處 |
| 張寧 |
清 |
| 張寧 |
遠 |
| 張寧 |
張氏靖之 |
| 張寧 |
都諫官印 |
| 張寧 |
一笑山雪夜歸舟 |
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| 印記類別 |
印主 |
印記 |
| 收傳印記 |
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天藻樓 |
| 收傳印記 |
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天藻樓珍藏書畫印 |
| 收傳印記 |
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文卿 |
| 收傳印記 |
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以文會友 |
| 收傳印記 |
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竹所 |
| 收傳印記 |
王祐 |
竹深處 |
| 收傳印記 |
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竹間吟院 |
| 收傳印記 |
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老大不才 |
| 收傳印記 |
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我師古人 |
| 收傳印記 |
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言餘咳唾(重一) |
| 收傳印記 |
孫承澤 |
承澤(半印) |
| 收傳印記 |
畢沅 |
秋颿珍賞 |
| 收傳印記 |
孫承澤 |
孫承澤印(半印。又全印二) |
| 收傳印記 |
畢沅 |
婁東畢沅鑒藏 |
| 收傳印記 |
畢沅 |
畢沅秘藏 |
| 收傳印記 |
畢沅 |
畢沅審定 |
| 收傳印記 |
畢瀧 |
畢瀧鑒賞 |
| 收傳印記 |
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菊東 |
| 收傳印記 |
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虛豁軒 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
寶笈三編 |
| 類別 |
參考資料 |
| 內容簡介 |
常杓〈南宋人,西元十三世紀初〉,生平待考。
本冊書於南宋理宗寶慶三年〈西元1227年〉,第一段以小篆體作歸去來詞。第二段以鐘鼎款識文體作盤谷序。第三段以小篆作紅白蓮詞。小篆擬唐李陽冰,圓勁而有古風。
|
| 內容簡介 |
常杓〈南宋人,西元十三世紀初〉,生平待考。
本冊書於南宋理宗寶慶三年〈西元1227年〉。篆書是中國最古老的字體,從商代的甲骨文到秦朝的小篆,通行的期間長達一千餘年,由於年代、地域的不同,有許多相異的字體。本作作品的第一段是以小篆體作「歸去來」詞,學習的是唐代李陽冰的小篆書體,筆劃正如鐵線般的迴轉。第二段則以鐘鼎款識文體作「盤谷序」,筆劃起始與終止較細,中段較租。第三段以小篆作紅白蓮詞。
|
| 內容簡介 |
常杓的生平資料不清楚。作者自題書寫
於寶慶丁亥(西元一二二七年)七夕。篆
書是中國最古老的字體,從商代的甲骨文
到秦朝的小篆,通行的期間長達一千餘年,
由於年代、地域的不同,有許多相異的
字體。本件的第一闋詞〈歸去來〉學習的
是唐代李陽冰的小篆書體,筆劃正如鐵線
般的迴轉;第二闋〈盤谷序〉用的是銅器銘
文的書體,筆劃起始與終止較細,中段稍
粗,是這種書體的特徵。
(20110710)
|
| Description |
The biographical information of Chang Biao remains unknown, but the artist dated this work to 1227. Seal script is an ancient calligraphic form in China. From the oracle bone script of the Shang dynasty to the small seal script of the Qin dynasty, it has a history of more than a thousand years. Due to differences over time and place, many variations emerged. In this work, the first section is a transcription of “Homecoming Ode” and modeled after the small seal script of Li Yangbing (fl. 8th c.). The strokes turn as if they were pieces of steel wire. The second section transcribes “Pangu Preface,” taking after the script type of bronze inscriptions. The beginnings and ends of the strokes are marked as being finer than the center parts.(20110710)
|
| Description |
Biographical information for Ch'ang Piao remains unknown. The artist dated this work to 1227. Seal script is an ancient calligraphic form in China. From the oracle bone script of the Shang dynasty to the small seal script of the Ch'in dynasty, it has a history of more than a thousand years. Due to differences over time and area, many variations emerged. In this work, the first section is a transcription of "Homecoming Ode" and is modeled after the small seal script of Li Yang-ping(fl. 8th c.). The strokes turn as if they are pieces of steel wire. The second transcribes "The P'an-ku Preface," taking after the script type of bronze inscriptions. The beginning and ends of the strokes are marked by being finer than the center parts. The third section is the Pink and White Lotus Poem done in small seal script.
|
| Description |
Biographical information for Ch'ang Piao remains unknown, but the artist calligraphic from in China. From the oracle bone script of the Ch'in dynasty, it has a history of more than a thousand years. Due to differences over time and area, many variations emerged. In this work, the first section is a transcription of "Homecoming Ode" and is modeled after the small seal script of Li Yang-ping(fl. 8th c.). The strokes turn as if they are pieces of steel wire. The second transcribes "The P'an-ku Preface," taking after the script type of bronze inscriptions. The beginning and ends of the strokes are marked by being finer than the center parts.
|
| 收藏著錄 |
石渠寶笈三編(延春閣),第三冊,頁1505
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| 收藏著錄 |
故宮書畫錄(卷三),第一冊,頁28-31
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本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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