| 文物統一編號 |
故絲000008N000000000
|
| 作品號 |
故絲00000800000 |
| 品名 |
宋緙絲荷花 軸
|
| 分類 |
絲繡 |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
清內府印 |
三希堂精鑑璽 |
| 鑑藏寶璽 |
清內府印 |
石渠寶笈 |
| 鑑藏寶璽 |
清內府印 |
宜子孫 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 鑑藏寶璽 |
宣統帝 |
宣統鑑賞 |
| 鑑藏寶璽 |
宣統帝 |
無逸齋精鑑璽 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶御覽之寶 |
| 鑑藏寶璽 |
清仁宗 |
嘉慶鑑賞 |
| 鑑藏寶璽 |
清仁宗 |
寶笈三編 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
花草 |
蓮荷 |
|
| 次要主題 |
山水 |
|
水池 |
| 其他主題 |
水中動植物 |
|
水草 |
| 類別 |
參考資料 |
| 內容簡介 |
深藍地緙織淺設色荷花。中國古代的文學家認為荷花出污泥而不染，將之比喻為聖潔高雅的君子。此幅織幾株種植在池塘的荷花，荷花、荷葉挺出水面，臨風搖曳、姿態萬千，彷彿可以聞到芳芬高雅的花香。織法細緻勻整，墨筆添加及著色淡染的部份甚多，如花瓣、蓮蓬的鈎莖，荷葉、荷梗及水面波紋水草都運用墨色鈎勒輪廓，並以色淡染，用筆處如緙織而出，緙絲與繪畫難以分辨，在宋代緙絲作品較為少見。
|
| Description |
Lotus blossoms in light colors are woven against a dark blue background in this tapestry. Literary authors in ancient China considered the lotus as exemplifying purity for its ability to blossom untainted by the muddy waters in which it grows, thus symbolizing the pure and lofty gentleman. This work depicts several lotuses in a pond. The blossoms and leaves emerge from the water and sway with the breeze in various poses, so realistic as to make the viewer almost smell their subtle fragrance. The weaving here is fine and even, with numerous additions of brushwork and color washes. For example, ink was used to outline such areas as the flower petal, stalk of the seedpod, lotus leaf, lotus stem, and water ripples and plants, to which light colors were also added. The brushwork is just as refined as the weaving, making it difficult indeed to tell them apart. This is thus a relatively rare example of Sung dynasty tapestry.
|
| 參考書目 |
1.童文娥，〈緙絲荷花〉，收入童文娥主編，《緙絲風華 — 宋代緙絲花鳥展圖錄》（臺北：國立故宮博物院，2007年初版一刷），頁11。
|
| 收藏著錄 |
石渠寶笈三編（延春閣），第六冊，頁2812
|
| 收藏著錄 |
國立故宮博物院緙絲，圖版28
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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