宋人畫魚籃觀音 軸
Kuan-yin with the Fish Basket
繪畫
| 文物統一編號 | 故畫000158N000000000 |
| 作品號 | 故畫00015800000 |
| 品名 |
宋人畫魚籃觀音 軸 Kuan-yin with the Fish Basket |
| 分類 | 繪畫 |
| 數量 | 一軸 |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅 | 108.5x61 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 絹 |
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 鑑藏寶璽 | 清內府印 | 三希堂精鑑璽 |
| 鑑藏寶璽 | 清高宗 | 太上皇帝之寶 |
| 鑑藏寶璽 | 清內府印 | 宜子孫 |
| 鑑藏寶璽 | 宣統帝 | 宣統御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 珠林重定 |
| 鑑藏寶璽 | 清內府印 | 秘殿珠林 |
| 鑑藏寶璽 | 清高宗 | 秘殿新編 |
| 鑑藏寶璽 | 清高宗 | 乾清宮鑑藏寶 |
| 鑑藏寶璽 | 清高宗 | 乾隆御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 乾隆鑑賞 |
| 鑑藏寶璽 | 清仁宗 | 嘉慶御覽之寶 |
| 主題類別 | 主題(第一層) | 主題(第二層) | 主題說明 |
|---|---|---|---|
| 主要主題 | 佛道人物 | 觀音 | |
| 其他主題 | 水中動植物 | 魚 | |
| 其他主題 | 器用 | 傢俱（屏風） | 坐墊 |
| 其他主題 | 器用 | 籃．簍．籮筐 | 提籃 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 據觀音感應傳所載：唐元和十二年，陜西金沙灘上，有一美女子攜籃鬻魚，人爭欲室之，惟馬氏子能誦法華經，故令具禮成婚。入門，女即死，有高僧告馬氏子云：此觀音示現以化汝耳。故又稱馬郎婦觀音，為三十三觀音之一，是乃魚籃觀音之由來。本幅觀音盤坐畫幅正中，亦以民婦姿態出現。前置竹籃中，有魚一尾，卻與觀音的衣紋線條和臉部輪廓線一般，俱因年代久遠而模糊不清，僅依稀可見魚鱗而已。 |
| 內容簡介 | 據〈觀音感應傳〉所載：唐元和十二年，陜西金沙灘上，有一美女子攜籃鬻魚，人爭欲室之，女願嫁善誦《法華經》者，惟馬氏子能誦之，故令具禮成婚。入門，女即死，有高僧告馬氏子云：此觀音示現以化人耳。故又稱馬郎婦觀音，為三十三觀音之一，為魚籃觀音由來。 本幅觀音盤坐畫幅正中，以民婦姿態出現。前置竹籃中，有魚一尾，因年代久遠而模糊不清，僅依稀可見魚鱗而已。(20091016) |
| Description | According to Biographies of Guanyin’s Manifestations, in 817 CE during the Tang dynasty a beautiful young woman sold fish from a basket in Jinshatan, Shensi. Of the many who competed for her hand, she would only marry a man who could recite the Lotus Sutra, and he was surnamed Ma. The new bride, however, died right after marriage. A high monk then told him that she was a manifestation of Guanyin, the bodhisattva of compassion. Thus, she was considered one of Guanyin’s 33 manifestations, shown with a fish basket. In this work Guanyin is seated and looks like a village maiden. Her bamboo basket with a single fish appears before her. The painting has lost some if its detail and clarity with age, but in places the fish scales can still be seen.(20091016) |
| Description | According to the Kuan-yin kan-ying chuan, in A.D.817 there was a beautiful young woman who sold fish from a basket living in Chin-sha-t'an, Shansi. Of the many who competed for her hand, the victor was a young man named Ma who could recite the Lotus sutra. The new bride, however, died right after getting married. A monk told the young man that the woman was a manifestation of Kuan-yin who had come to aid in their salvation. For this reason, Kuan-yin with the Fish Basket is one of the thirty-three manifestations of Kuan-yin. In this painting, Kuan-yin, shown seated, has the appearance of a village lass. Her bamboo basket is placed in front; in which lies a single fish. The painting has lost some if its detail and clarity with age, but in places the scales of the fish can still be seen. |
| 收藏著錄 | 秘殿珠林續編（乾清宮），頁96 |
| 收藏著錄 | 故宮書畫錄（卷五），第三冊，頁126 |
| 收藏著錄 | 故宮書畫圖錄，第三冊，頁17 |
| 參考書目 | 黃逸芬，〈宋人畫魚籃觀音 軸〉，收入鍾子寅主編《法華經及其美術》（臺北：國立故宮博物院，2022.03），頁216-217。 |
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