精陶韞古 冊
Album of Ceramic Masterpieces
繪畫
| 文物統一編號 | 故畫003652N000000000 |
| 作品號 | 故畫00365200000 |
| 品名 |
精陶韞古 冊 Album of Ceramic Masterpieces |
| 分類 | 繪畫 |
| 數量 | 一冊：十開（本幅十開十幅） |
| 位置 | 尺寸(公分) |
|---|---|
| 本幅 | 56.6x44.1 |
| 質地位置 | 質地 |
|---|---|
| 本幅 | 紙 |
| 印記類別 | 印主 | 印記 |
|---|---|---|
| 鑑藏寶璽 | 清高宗 | 入眼龝光盡是詩 |
| 鑑藏寶璽 | 清高宗 | 八徵耄念之寶（重九） |
| 鑑藏寶璽 | 清高宗 | 五福五代堂古稀天子寶（重九） |
| 鑑藏寶璽 | 清高宗 | 古希天子（重九） |
| 鑑藏寶璽 | 清高宗 | 即事多所欣 |
| 鑑藏寶璽 | 清高宗 | 含味經籍 |
| 鑑藏寶璽 | 清高宗 | 含英咀華 |
| 鑑藏寶璽 | 清高宗 | 含豪邈然 |
| 鑑藏寶璽 | 清高宗 | 吟詠春風裡 |
| 鑑藏寶璽 | 清高宗 | 松竹一庭道心 |
| 鑑藏寶璽 | 清高宗 | 保泰 |
| 鑑藏寶璽 | 清高宗 | 垂露 |
| 鑑藏寶璽 | 清高宗 | 扇以淳風 |
| 鑑藏寶璽 | 清高宗 | 書史研求遵古訓 |
| 鑑藏寶璽 | 清高宗 | 乾隆御覽之寶 |
| 鑑藏寶璽 | 清高宗 | 深心託毫素 |
| 鑑藏寶璽 | 清高宗 | 陶冶賴詩篇 |
| 鑑藏寶璽 | 清高宗 | 筆華春雨 |
| 鑑藏寶璽 | 清高宗 | 意在筆先 |
| 鑑藏寶璽 | 清高宗 | 新藻發春妍 |
| 鑑藏寶璽 | 清高宗 | 煙雲無盡藏 |
| 鑑藏寶璽 | 清高宗 | 煙雲舒卷 |
| 鑑藏寶璽 | 清高宗 | 落紙雲煙 |
| 鑑藏寶璽 | 清高宗 | 寧壽宮寶 |
| 鑑藏寶璽 | 清高宗 | 與民用勤 |
| 鑑藏寶璽 | 清高宗 | 摛藻為春 |
| 鑑藏寶璽 | 清高宗 | 樂壽堂 |
| 鑑藏寶璽 | 清高宗 | 稽古愛民 |
| 鑑藏寶璽 | 清高宗 | 學鏡千古 |
| 鑑藏寶璽 | 清高宗 | 讀書依竹靜 |
| 鑑藏寶璽 | 清高宗 | 觀書為樂 |
| 類別 | 參考資料 |
|---|---|
| 內容簡介 | 此冊構成與「陶瓷譜」雷同。唯所畫內容較為豐富，如宣德霽青、霽紅；萬曆青花；龍泉青釉；明仿官、哥等器，散見文人賞玩著錄，皆為時人所重。 按院藏多寶格「吉范流輝博古匣」，內置銅器十件，並收納冊頁十開著錄其尺寸、紋飾，圖文並陳，所繪唯妙唯肖。此冊與陶瓷譜亦為十開，且上圖下文形式、裝裱、鈐印等等都與「吉范流輝」相同，可能同為著錄多寶格器物所繪之圖，只是現今圖物分隔。比對故宮藏瓷，或可採得其中一、二。 |
| Description | The composition of this album is similar to that of “Album of Ceramics,” but the range of works represented is greater, including Deep-blue and Deep-red ware of the Hsuan-te reign (1426-1435), Blue-and-white ware of the Wan-li reign (1573-1619), Lung-ch’uan green-glazed ware, and Ming imitations of Kuan and Ko ware. This album serves as a record of ceramics admired and appreciated by literati and collectors of the time. The curio cabinet “Antiquities Through the Ages” in the National Palace Museum includes ten bronze vessels, as well as an album-catalogue of ten leaves mentioning the measurements of, decorations on, and inscriptions of the works; each is painted with exceptional clarity and faithfulness. Likewise, “Album of Ceramic Masterpieces” and “Album of Ceramics” are also composed of ten leaves and are similar in their placement of painting and text as well as mounting and seals. Perhaps these two albums also record pictures of vessels once contained in curio cabinets, but have been scattered over time. Compared with surviving ceramics from the Ch’ing court collection in the National Palace Museum, perhaps some can be matched with the illustrations here. |
| 收藏著錄 | 〈精陶韞古 冊〉，收入李玉珉主編《故宮書畫圖錄(卅一)》（臺北：國立故宮博物院，2012.12），頁490-493。 |
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