| 文物統一編號 |
故畫000062N000000000
|
| 作品號 |
故畫00006200000 |
| 品名 |
宋崔白蘆汀宿雁 軸
Wild Goose Resting on a Shoal |
| 分類 |
繪畫 |
| 作者 |
崔白 |
| 數量 |
一軸 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
|
（鈐印一不可辨） |
| 收傳印記 |
|
□氏廷璧 |
| 收傳印記 |
卞永譽 |
令之氏一字仙客 |
| 收傳印記 |
卞永譽 |
式古堂書畫印 |
| 收傳印記 |
安岐 |
御題圖書府 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
翎毛 |
雁 |
|
| 次要主題 |
花草 |
蘆葦 |
|
| 其他主題 |
山水 |
江河、湖海 |
|
| 其他主題 |
花草 |
|
|
| 類別 |
參考資料 |
| 內容簡介 |
崔白(西元十一世紀)，濠梁(今安徽鳳陽)人，字子西，仁宗時(1022-1063)選入畫院為藝學，工畫花竹翎毛。根據記載，崔白以擅畫枯荷鳧雁而得名，故後人常將此類題材之作品歸於其名下，本幅即是一例。構圖用筆均簡潔的坡岸、蘆雁，與崔白寫實的筆墨風格不相類，卻有著元代古拙樸質的感覺。
|
| Description |
Ts’ui Po, (style name Tzu-hsi) was a native of Hao-liang ( modern Feng-yang, Anhwei). He entered the painting academy during the reign of Jen-tsung(r.1022-1063) as a Student and specialized in painting birds, small animals, flowers, and bamboo. According to history descriptions, Ts’ui Po became famous for his depictions of withered lotuses and waterfowl. As a result, later collectors would often ascribe works of this subject matter to his name. This painting is such an example. However, the abbreviated nature of the composition and brushwork describing this goose resting on a shoal with reeds differs somewhat from the actual style associated with Ts’ui Po. This painting is related to the archaic and primitive styles advocated in the Yuan dynasty (1279-1368).
|
| 收藏著錄 |
故宮書畫錄（卷五），第三冊，頁59
|
| 收藏著錄 |
故宮書畫圖錄，第一冊，頁255-256
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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