| 文物統一編號 |
故畫003550N000000004
|
| 作品號 |
故畫00355000004 |
| 品名 |
名人畫扇 (戊) 冊 明陳嘉言枇杷松鼠
A Squirrel on a Loquat Branch in Fruit |
| 分類 |
繪畫 |
| 作者 |
陳嘉言 |
| 數量 |
一幅 |
| 題跋類別 |
作者 |
位置 |
款識 |
書體 |
全文 |
| 作者款識 |
陳嘉言 |
本幅 |
丁亥（西元一五八七年）冬日寫於伴雲閣。陳嘉言。 |
行書 |
|
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
走獸 |
松鼠 |
|
| 主要主題 |
果蔬 |
枇杷 |
|
| 類別 |
參考資料 |
| 內容簡介 |
陳嘉言（一五三九－？）。字孔彰，浙江嘉興人。善寫花鳥。畫筆鬆秀，頗臻妙境。此圖取意清新，敷色雅淡，以沒骨兼寫意描繪出枇杷的圓熟鮮潤，而枝葉間啃食枇杷的松鼠，纖毛畢現毛絨可愛。幅上寫意的果實、絲絲工細的毫毛，能如此精妙的配合，正是畫者獨到之處。本幅選自「名人畫扇」冊。
|
| Description |
Ch’en Chia-yen (style name K’ung-chang) came from Chia-hsing in Chekiang. He specialized in painting flowers and birds, his brushwork very accomplished in a loose and relaxed, yet graceful and elegant manner.This representation is very refreshing, and the artist enhanced the charming scene with his choice of delicately-applied colors. He simultaneously utilized the “boneless” impressionistic method to depict the loquats, and a contrasting, more realistic approach for the squirrel. The very essence of a ripe, fresh, moist loquat has been captured through color. A squirrel among the leaves gnawing on a loquat has been realistically represented, its fine hairs life-like and natural. The employment of this impressionistic technique for the fruits, and a careful, realistic rendition of the squirrel’s fine, soft fur, is an exquisite example of the coordination which was the artist’s uniqueness.This work was selected from the Ming Jen Hua Shan.
|
| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁165
|
| 收藏著錄 |
故宮書畫圖錄，第二十九冊，頁114-117
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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