| 文物統一編號 |
故畫003524N000000005
|
| 作品號 |
故畫00352400005 |
| 品名 |
明文徵明沈周唐寅仇英便面合裝冊 冊 明唐寅萬山秋色
A Myriad Mountains in Autumn Colors |
| 分類 |
繪畫 |
| 作者 |
唐寅 |
| 數量 |
一幅 |
| 印記類別 |
印主 |
印記 |
| 收傳印記 |
|
孟晉超群 |
| 收傳印記 |
潘正煒 |
河陽潘氏書畫 |
| 收傳印記 |
潘正煒 |
香垣鑒古 |
| 收傳印記 |
|
集虛齋 |
| 收傳印記 |
潘正煒 |
潘氏聽颿樓藏 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
秋景 |
|
| 其他主題 |
人物 |
行旅 |
|
| 其他主題 |
人物 |
高士（士人、隱士） |
|
| 其他主題 |
山水 |
江河、湖海 |
|
| 其他主題 |
山水 |
雲 |
|
| 其他主題 |
山水 |
溪澗、湍泉 |
|
| 其他主題 |
建築 |
水榭 |
|
| 其他主題 |
建築 |
房舍 |
|
| 其他主題 |
建築 |
橋 |
|
| 其他主題 |
樹木 |
|
|
| 其他主題 |
樹木 |
楓樹．槭樹 |
|
| 技法 |
技法細目 |
| 人物衣紋描法(減筆) |
|
| 苔點 |
|
| 皴法 |
斧劈皴 |
| 類別 |
參考資料 |
| 內容簡介 |
唐寅（西元一四七０－一五二三年），字子畏，又字伯虎，號六如。天賦多才，生性疏放，狂逸不羈。弘治十一年（一四九八）中南京鄉試解元，後牽連京試賄賂案，被謫為吏，從此絕意宦途，一心窮研詩、書、畫。
山巖亭榭之間，人事往來，雲影繚繞，遂覺千山萬樹，秋色如妝。此幅山石樹木屋宇人物，用筆細緻，無一筆鬆懈，為其盛年功力精至之作，畫上題款字用小篆，在他處亦不多見，唐寅三十歲後學周臣，此圖技法頗盡其精髓。本幅為「文沈唐仇便面合裝」冊第五開。
|
| Description |
T’ang Yin (style names Tzu-wei and Po-hu; sobriquet Liu-ju) was gifted with many talents, naturally carefree in disposition, as well as unrestrained and untrammeled. In 1498, he was the top candidate in the Nanking provincial examination. Later, however, he was implicated in the capital examination bribery scandal and punished to fill the post of goverment clerk. After this event, he renounced his ambition to be an official and devoted himself to poetry, painting, and calligraphy.
Depicted in this album leaf, figures make their way back and forth between the mountains and pavilions. Clouds wind round and round, making one feel deep within a thousand peaks and myriad trees adorned with autumnal colors. The brushwork used for rendering the rocks, trees, buildings, and human figures in this painting is meticulous without a single careless stroke. Thus, this is one work of T’ang Yin’s ultimate achievement from the prime of his life. T’ang Yin wrote an inscription in small seal script on the painting, something he did not often do. After he was 29-years-old, T’ang Yin studied painting under Chou Ch’en (fl. 15th-16th century). In terms of technique, this painting makes abundantly clear the spiritual essence of Chou’s works.
|
| 收藏著錄 |
故宮書畫圖錄，第三十冊，頁84-85
|
| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁164
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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