| 文物統一編號 |
故畫003423N000000001
|
| 作品號 |
故畫00342300001 |
| 品名 |
清佛延畫油畫山水圖 冊 山水（一）
Landscape (1) |
| 分類 |
繪畫 |
| 作者 |
佛延 |
| 數量 |
衣服 |
| 印記類別 |
印主 |
印記 |
| 鑑藏寶璽 |
宣統帝 |
宣統御覽之寶 |
| 主題類別 |
主題(第一層) |
主題(第二層) |
主題說明 |
| 主要主題 |
山水 |
|
|
| 其他主題 |
山水 |
溪澗、湍泉 |
|
| 其他主題 |
建築 |
房舍 |
|
| 其他主題 |
建築 |
橋 |
|
| 其他主題 |
樹木 |
|
|
| 類別 |
參考資料 |
| 內容簡介 |
依據活計清檔，從郎世寧學習的宮廷畫家有烏林人佛延，此套冊頁作者題為佛延，是否即是曾與郎世寧習畫者待考。然本冊以油彩繪在紙上，畫法雖是傳統山水技法為主，但是畫樹部份則有光影明暗的處理效果，且因油彩作畫色調與中國畫風效果相異，別有一番趣味。此套冊頁有八開，此次展出其中三開。
|
| Description |
According to archival records of the Ch’ing court, a person by the name of Fo-yen from U-lin studied painting under Giuseppe Castiglione (1688-1766). The name attached to this set of album leaves is also given as Fo-yen, but it remains unclear if it is the same person said to have learned painting from Castiglione. The fact that oil colors were painted on paper in this album reveals painting methods mostly differing from the techniques of traditional Chinese landscape painting. Furthermore, the rendering of shadows and the effect of shading in the area of the trees is also quite unusual. The use of and treatment with oils make this work different from that seen in Chinese painting styles and therefore quite unique. This album includes eight leaves, of which three have been selected for this exhibit.
|
| 收藏著錄 |
故宮書畫錄（卷八），第四冊，頁157
|
| 收藏著錄 |
故宮書畫圖錄，第二十五冊，頁318-319
|
本院文物保存維護依〈國立故宮博物院典藏文物管理作業要點〉及〈國立故宮博物院文物修護業務作業原則〉辦理
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