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【類別】 |
【參考資料】 |
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收藏著錄 |
石渠寶笈續編（寧壽宮），第五冊，頁2652
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收藏著錄 |
故宮書畫錄（卷五），第三冊，頁24-25
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收藏著錄 |
故宮書畫圖錄，第一冊，頁95
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參考書目 |
1.傅申，〈巨然存世畫蹟之比較研究〉，《故宮季刊》，第二第二期（1967年十月)，51-79。
2.石慢，李慧淑譯，〈江參及十二世紀山水畫之在評介 — 「千里江山圖」及「溪山林藪圖」〉，《故宮學術季刊》，第三卷第一期（1985年秋），頁83-100。
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內容簡介（中文） |
本幅畫群山溪壑，林樹彌望，山石皴紋多以濕筆染破，明晦隱現，輪廓模糊，特饒山野煙靄之致。本幅無作者款印，依據舊籤，定為巨然之作，然筆墨則與江參（活動於西元十二世紀初）較為近似。巨然（十世紀），南唐鍾陵人，為開元寺僧。南唐亡（九七五年），隨李後主煜降宋，至汴梁。工畫山水，師事董源。善狀煙嵐景象，臻於妙境，與師齊名，並稱董巨。
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內容簡介（英文） |
In this work of lush woods and hills, streams winding through ravines stretch into the distance. Texture strokes for the hills were done with moist washes and strokes so that light and shadow merge. Outlines also appear vague, especially where the mists swirl around the mountains. This work bears no signature or seal of the artist but was attributed to Chu-jan. The use of the brush and ink, however, is closer to that of Chiang Shen (fl. early 12th c.). Chu-jan was a monk at the K'ai-yuan Temple. With the fall of the Southern T'ang in 975, he submitted to the Sung. He specialized in landscapes, studying under Tung Yuan. He excelled at visions of grandeur and mist. Achieving as much fame as his teacher, they became known as "Tung and Chu".
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網頁展示說明 |
本幅畫群山溪壑，林樹彌望，山石皴紋多以濕筆染破，明晦隱現，輪廓模糊，特饒山野煙靄之致。本幅無作者款印，依據舊籤，定為巨然之作，然筆墨則與江參（活動於西元十二世紀初）較為近似。
巨然（十世紀），南唐鍾陵人，為開元寺僧。南唐亡（九七五年），隨李後主煜降宋，至汴梁。工畫山水，師事董源。善狀煙嵐景象，臻於妙境，與師齊名，並稱董巨。
(20120102)
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網頁展示說明 |
This work depicts clustered peaks with forest-filled streams and valleys. The texture-stroked hills feature wet brushwork to create broken washes that suggest brightness here and there. Vague outlines with much mist and haze fill the scenery. This work has no seal or signature of the artist, the old label ascribing it to Juran. The brush and ink, though, appear closer to the style of Jiang Shen (fl. early 12th c.).
Juran, a native of Zhongling, was a monk at Kaiyuan Temple. When his state fell in 975, he followed its leader Li Houzhu (Yu) in surrendering to the Song, moving to the Song capital of Bianliang. Juran, good at painting landscapes and studying under Dong Yuan, excelled at visions of grandeur and mist. As famous as his teacher, they were known together as "Dong-Ju."
(20120102)
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網頁展示說明 |
本幅畫群山溪壑，林樹彌望，山石皴紋多以濕筆染破，明晦隱現，輪廓模糊，特饒山野煙靄之致。本幅無作者款印，依據舊籤，定為巨然之作，然筆墨則與江參（活動於西元十二世紀初）較為近似。
巨然（10世紀）、南唐鍾陵の人、開元寺僧侶。南唐滅亡後（975年）、李後主（李煜）に隨い、宋が滅びると卞京に移った。山水畫を善くし、董源に師事した。雲霧の立ち込める風景畫を得意とした。その畫技は妙境に達し、師とともに「董巨」と並び稱された。
(20120102)
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參考書目 |
陳韻如，〈五代南唐巨然溪山林藪圖 軸〉，收入《公主的雅集-蒙元皇室與書畫鑑藏文化特展》（臺北：國立故宮博物院，2016.10），頁96-99、269-270。
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