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【類別】 |
【參考資料】 |
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收藏著錄 |
故宮書畫錄（卷八），第四冊，頁86
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收藏著錄 |
故宮書畫圖錄，第八冊，頁321-322
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內容簡介（中文） |
丁雲鵬（西元一五四七－一六二八年尚在），字南羽，號聖華居士，安徽休寧人。善道釋人物，白描酷似李公麟，於山水寫生亦無不精妙，構圖精細，類似「文派」的青綠山水作風。
此幅樹石造型、筆法、設色均有創意且富變化。松針細勁，樹幹癭節露白，突出而明顯。山石堆砌而上，懸立半空中，既驚且險；頂峰用淺青綠淡染，山後染天，烘托之下山石格外光亮。
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內容簡介（英文） |
Ting Yun-p'eng, a native of Anhwei province, excelled at painting Buddhist and Taoist figures. His landscapes are known for the fine compositions in the "Wen School" of blue-green landscapes.
This painting depicts pavilions in mountains that look like the residence of immortals. The mountain forms, brushwork, and colors are varied and quite unique. The pine needles are also done with spirit and in detail. The knots of the trees were outlined in white, causing them to appear as if protruding. The massed mountains and rocks seem to be suspended in mid-air, making them look quite perilous. The highest peaks and the sky were painted in light green washes. In contrast, the mountains and rocks exude a radiant luminosity.
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參考書目 |
1.王耀庭，〈明丁雲鵬仙山樓閣〉，收入王耀庭編，《青綠山水畫特展圖錄》（臺北：國立故宮博物院，1995年七月初版一刷），頁92。
2.〈明丁雲鵬仙山樓閣〉，收入國立故宮博物院編，《晚明變形主義畫家作品展》（臺北：國立故宮博物院，1977年九月初版），頁72。
3.李玉珉；〈心印毫生—丁雲鵬繪畫展〉，《故宮文物月刊》，第352期（2012年7月份），頁90-105。
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內容簡介（中文） |
本幅畫山石層疊堆砌，既驚且險，山路逶迤而上，殿閣亭宇錯落其間，文士或持杖而行，或觀瀑聽松。此作的建築以界畫為之，結構精嚴；山石用墨線鉤勒，圭稜畢露；松針與苔點則以細勁中鋒畫成，富有層次。全作用筆精到，青綠敷染，明麗秀艷卻不失儒雅之氣。其狹長的條幅、堆疊的構圖和溫雅的設色，皆似文派作風。
幅上篆書款云：「萬曆癸未（1583）冬十二月，南羽居士丁雲鵬。」丁氏時年三十七歲。
(20120715)
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內容簡介（英文） |
This work depicts mountains piled one atop another to create a perilous and precipitous landscape that includes a path winding upwards. Pavilions are scattered throughout as scholars walk with a staff or view the waterfall listening to wind in the pines. The architecture done in the “ruled-line” method features refined and precise structures. The mountains were outlined with ink to form ridges that stand out and the pine needles and moss dots done in fine yet strong strokes with a centered brush rich in ink gradations. The delicate brushwork is further complemented by washes of blue and green, their bright beauty not lacking in elegance. The narrow scroll, piled composition, and warm hues are all similar to features of Wen School painting.
The seal script signature in the upper left reads, “The twelfth month in winter of the Wanli ‘guiwei’ year (1583). Nanyu jushi, Ding Yunpeng.” The painting was thus done by Ding at the Chinese age of 37.
(20120715)
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