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【參考資料】 |
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收藏著錄 |
石渠寶笈（初編），上冊，頁533
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收藏著錄 |
故宮書畫錄（卷一），第一冊，頁78-79
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內容簡介（中文） |
趙孟頫（西元一二五四－一三二二年），湖州（今浙江吳興）人。字子昂，自號松雪道人，也稱鷗波，宋太祖十一世孫，秦王德芳之後。仕元，至翰林學士承旨，封魏國公，諡文敏。才氣橫溢，讀書過目成誦，詩文清遠。工書善畫，亦善刻印。書法倡復古，影響後世甚大。其書凡三變，初臨宋高宗，中學鍾繇及二王，晚學李北海。
本幅書歐陽修相州晝錦堂記，結體謹飭內斂，筆墨遒勁秀發，通體氣勢暢旺，深受李北海影響。是其逝世前兩年，六十七歲之作。
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內容簡介（英文） |
Chao Meng-fu (style name Tzu-ang; sobriquet Sung-hsueh tao-jen; also known as Ou-p’o) was a native of Wu-hsing, Chekiang. Although he was a descendent of the Sung royal family, he served the Yuan government as an Academician in the Hanlin Academy. He was an able calligarpher and excelled at painting and seal carving. In calligraphy he advocated returning to ancient styles, and he deeply influenced later generations. There are three distinct changes in Chao’s calligraphy. In his early years he imitated the style of the Sung emperor Kao-tsung (r. 1127-1162); in his middle years he studied the styles of Chung Yu (151-230), Wang Hsi-chih (307-365), and Wang Hsien-chih (344-388); and in his late years he studied the style of Li Yung (678-747).
The title of this work is the Record of Ou-yang Hsiu’s Chou-chin Studio in Hsiang-chou. With strictly structured characters held together within themselves and forceful and handsome brushwork, the calligraphy of the work is luxuriant and demonstrates the profound influence of Li Yung. This work was composed two years before Chao’s death when he was sixty-six.
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網頁展示說明 |
趙孟頫（西元一二五四－一三二二年），湖州（今浙江吳興）人。字子昂，自號松雪道人，也稱鷗波，宋太祖十一世孫。仕元，至翰林學士承旨，封魏國公，諡文敏。工書善畫，亦善刻印。書法倡復古，影響後世甚大。其書凡三變，初臨宋高宗，中學鍾繇及二王，晚學李北海。本幅書歐陽修〈相州晝錦堂記〉，結體謹飭內斂，筆墨遒勁秀發，通體氣勢暢旺，深受李北海影響。是其逝世前兩年，六十七歲之作。(20110710)
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網頁展示說明 |
Zhao Mengfu (style name Zi'ang; self-styled sobriquet Songxue daoren), a native of Huzhou (modern Wuxing in Zhejiang), descended from the Song imperial clan but also served the Yuan court as a Hanlin Academician. He was also known as Oubo and was the eleventh-generation descendant of Emperor Taizu.
Widely studied, his poetry is pure; Zhao also excelled at painting, calligraphy, and seal carving. In calligraphy, he advocated revivalism, greatly influencing later generations. His calligraphy underwent 3 phases: imitating the style of Song Gaozong in early years; studying those of Zhong You, Wang Xizhi, and Wang Xianzhi in middle years; and following that of Li Yong in later years. This work, done two years before Zhao's death at the Chinese age of 67, is Record of Ouyang Xiu's Zhoujin Studio in Xiangzhou. With structured, tight-knit characters in handsome brushwork, the rich style shows the influence of Li Yong.
(20110710)
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網頁展示說明 |
趙孟頫（1254-1322）、湖州（現在の浙江省湖州吳興区）の人。字は子昂、號は松雪道人、鷗波とも稱された。宋太祖の11代目の子孫。元に仕えて翰林学士となり、魏國公に封ぜられた。諡號は文敏。書に優れ畫も善くし、刻印にも秀でていた。書法では復古を提唱し、後世に絕大な影響を与えた。その書は三変した。初めは宋高宗を臨模し、中年期には鍾繇と二王を学び、晩年は李邕を学んだ。本作は欧陽修「相州昼錦堂記」を書いたもので、結体は謹厳で含みがあり、筆墨は力強く才気に溢れ、全体に気勢旺盛で李邕の影響を強く受けている。逝去の2年前、67歳の作。(20110710)
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