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【類別】 |
【參考資料】 |
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收藏著錄 |
故宮書畫錄（卷五），第三冊，頁453-454
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收藏著錄 |
故宮書畫圖錄，第八冊，頁327-328
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參考書目 |
1.李玉珉，〈丁雲鵬廬山高〉，收入李玉珉主編，《古色：十六至十八世紀藝術的仿古風》（臺北：國立故宮博物院，2003年初版），頁258。
2.〈明丁雲鵬廬山高圖〉，收入國立故宮博物院編，《晚明變形主義畫家作品展》（臺北：國立故宮博物院，1977年九月初版），頁98。
3.李玉珉；〈心印毫生—丁雲鵬繪畫展〉，《故宮文物月刊》，第352期（2012年7月份），頁90-105。
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內容簡介（中文） |
丁雲鵬（西元1547-1628年以後），字南羽，號聖華居士，安徽休寧人。善道釋人物，山水雜畫亦妙。 江西廬山峰巒奇絕，山中多瀑布，常為詩人與畫家歌詠。此圖畫雲山深處，松鶴鳴泉，飛瀑凌空，狀如垂練，令人想到李白詠廬山瀑布的名句：「飛流直下三千尺，疑是銀河落九天。」畫山石卷曲靈動，或非寫真，但表現了廬山神秘的氣氛。作於萬曆己亥（1599）。
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內容簡介（英文） |
Ting Yun-p'eng excelled at painting Buddhist and Taoist figures and landscapes. Mount Lu in Kiangsi is noted for its unusual hills and peaks. The area abounds with waterfalls and is the frequent subject of praise by poets and painters alike. In the depths of the mist-covered mountain, a waterfall plunges down like a bolt of silk as cranes call from their perch beneath a pine overlooking a forest stream. The scene reminds us the famous line from Li Po singing the praise of Mount Lu, in which he compares the beauty of the waterfall to the Milky Way. The coiling, animated mountain forms do not correspond to the actual landscape, but reflect the mysterious atmosphere of Mount Lu. This work was done in 1599.
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內容簡介（中文） |
丁雲鵬（活動於1547-1628年），安徽休寧人。字南羽，號聖華居士。善道釋人物，白描酷似李公麟，山水雜畫亦妙，為晚明大家。 雲山深處，松鶴鳴泉，飛瀑如垂練。幅中二高士坐談其間，一童子煮茗，另一隨侍於側；幅下方一高士緩步前行，二童子尾隨其後，一捧靈芝，一抱琴囊。全幅充滿山林靜謐之美。山石作牛毛皴，筆墨古厚渾成，蓋仿王蒙筆法也。
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內容簡介（英文） |
Ting Yun-p'eng (style name Nan-yu; and sobriquet Shen-hua chu-shih) was a native of Hsiu-ning, Anhwei. One of the greatest artists of the late Ming, he excelled at painting Taoist and Buddhist subjects and landscapes. His outline method in monochrome ink closely resembles Li Kung-lin's (1049-ca. 1105). In the depths of mist-covered mountains, a waterfall plunges downward like a bolt of silk; cranes call from their perch beneath a pine that overlooks a forest stream. Two gentlemen sit talking, while their servants prepare tea. Another man is strolling leisurely, followed by two servants carrying fungi of immortality and a covered zither. In terms of brushwork, the mountains are modeled in fine "ox-hair" texture strokes. The artist's heavy, turbid handing of ink here is most likely styled on that of Wang Meng (ca. 1301-1385).
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網頁展示說明 |
峰巒層疊，樹叢茂密，飛瀑凌空，狀如垂練。全作構圖緊實，以牛毛皴描寫山石，筆法古厚渾成，近似王蒙風格。在經營位置上，又與沈周〈廬山高〉有些相似，甚至於以篆書題寫「廬山高」三字的手法也和沈周的作品雷同。不過畫中山頭岩石扭曲，好似捲雲，頗具動勢；近景、中景和遠景的山石墨色沉鬱，又無太多濃淡的變化，充分展現丁氏自己的面目。
此幀作於萬曆己亥年（1599），是丁氏四十三歲之作。
(20120715)
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網頁展示說明 |
A cascade appearing like a bolt of silk is highlighted against layers of ridges and clusters of trees. The composition is mostly full and the mountains done in "ox-hair" texture strokes, the brush method archaic and mature in a manner similar to that of Wang Meng. In terms of arrangement, the painting is also similar in places to "Lofty Mount Lu" by Shen Zhou, with even the title in three seal script characters virtually identical to Shen's. Here, however, the mountaintops are contorted into cloud-head shapes with considerable force and dynamism. The ink tones of the fore-, middle-, and background are also heavy without much differentiation in terms of darkness, thus fully revealing Ding Yunpeng's own style.
This work was painted in 1599, when Ding Yunpeng was 43 years old by Chinese reckoning.
(20120715)
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網頁展示說明 |
層をなして重なる山々、うっそうと生い茂る樹木、しぶきを上げて流れ落ちる滝。全体に細かく描き込まれた構図、牛毛皴（畫法の一つ）で描かれた山石、重厚さの感じられる筆法は王蒙の風格に近い。景物の配置などは沈周「廬山高」に似た部分もあり、篆書の題「廬山高」の入れ方も沈周の作品と同じだが、山頂の捻じれた岩石や卷雲は躍動感に滿ちている。近景と中景、遠景の山石の墨色には沈鬱な雰囲気が漂う。濃淡の変化もあまりなく、丁雲鵬ならではの表現となっている。
万曆己亥年（1599）、丁雲鵬43歳の時の作品。
(20120715)
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參考書目 |
劉宇珍，〈明丁雲鵬廬山高 軸〉，收入《攬勝─近現代實景山水畫》（臺北：國立故宮博物院，2020.07），頁28-31、147。
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