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【類別】 |
【參考資料】 |
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收藏著錄 |
石渠寶笈三編（延春閣），第四冊，頁1886
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收藏著錄 |
故宮書畫錄（卷五），第三冊，頁365
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收藏著錄 |
故宮書畫圖錄，第九冊，頁31-32
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參考書目 |
1.張華芝，〈仇氏（杜陵內史）畫唐人詩意〉，收入劉芳如、張華芝主編，《群芳譜 — 女性的形象與才藝》（臺北：國立故宮博物院，2003年初版一刷），頁175。
2.劉芳如，〈明仇氏杜陵內史畫唐人詩意〉，收入國立故宮博物院編輯委員會編，《仕女畫之美》（臺北：國立故宮博物院，1988年四月初版），頁85-86。
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內容簡介（中文） |
仇氏（西元十六世紀），江蘇太倉人，號杜陵內史。乃仇英之女，能畫，綽有父風。畫山水、人物，精工秀麗，筆意不凡，無一點塵俗氣。 本幅繪珍木橫雲，牡丹簇豔，一仕女淡妝華服立於花木前。款署「吳門仇氏戲寫」，然唐人詩意圖鉤勒嚴謹，賦彩細膩無倫，前人嘗盛讚乃父畫風「髮翠豪金，絲丹縷素，精麗豔逸，無慚古人。」倘以之形容仇氏此作，亦非過譽也。
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內容簡介（英文） |
Tu-ling Nei-shih was the sobriquet of the daughter of the Ming artist Ch'iu Ying (ca. 1494-1552). A native of T'ai-ts'ang, Kiangsu, she was an accomplished painter and worked very much in her father's style. Her landscape and figure paintings reveal the brushwork of an uncommonly refined caliber. Critics have praised the artist's father, saying of his brushwork that it resembled "hairs of emerald jade and threads of gold; whether he used strands of color or filaments in monochrome, they were of a delicate beauty that even the ancients would not have been dismayed." Such an accolade could equally describe this painting by his daughter. Horizontal banks of clouds encircle a small grove of exotic trees and clusters of blossoming peonies. Before them stands the solitary figure of a woman, palely made up and exquisitely attired. The artist's meticulous craftsmanship and incomparably fine sense of coloring belie her signature, which reads "Playfully done by C'iu of Wu-men."
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參考書目 |
劉芳如，〈明仇氏杜陵內史畫唐人詩意 軸〉，收入劉芳如主編《她-女性形象與才藝》（臺北：國立故宮博物院，2020.10），頁165-167、276。
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參考書目 |
許文美、劉芳如，〈明仇氏杜陵內史畫唐人詩意 軸〉，收入《明四大家特展-仇英》（臺北：國立故宮博物院，2014.10），頁230-231、276、337。
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