參考資料 |
【類別】 |
【參考資料】 |
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收藏著錄 |
石渠寶笈三編(延春閣),第四冊,頁1861
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收藏著錄 |
故宮書畫錄(卷五),第三冊,頁348
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收藏著錄 |
故宮書畫圖錄,第七冊,頁11-12
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參考書目 |
1.江兆申,〈唐寅觀瀑圖 軸〉,收入國立故宮博物院編,《吳派畫九十年展》(臺北:國立故宮博物院,1975年初版,1976年再版,1981年三版),頁301。
2.〈明唐寅觀瀑圖〉,收入國立故宮博物院編輯委員會編,《山水畫墨法特展圖錄》(臺北:國立故宮博物院,1987年七月初版),頁67。
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內容簡介(中文) |
唐寅(西元一四七○至一五二三年),江蘇吳縣人,字子畏,又字伯虎,號六如。天賦多才,生性疏放,狂逸不羈。弘治十一年(一四九八)中南京鄉試解元,後牽連京試賄賂案,被謫為吏,從此絕意宦途,一心窮研詩、畫、書法。 一道清泉直瀉而下,朵雲橫鎖山腰,樹下高士正注目於流泉之中。唐寅畫學自周臣,但因學品高而青出於藍,人物、花鳥、山水無不擅長,成為明四大家之一。本幅畫用筆流暢,水墨滋潤,意象氣味,有種清麗優雅的美感。
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內容簡介(英文) |
Gazing at the Falls T’ang Yin (1470-1523) Ming Dynasty A cascade of water plummets downward; a horizontal band of clouds encircles the waist of the mountain. Below the trees a gentleman focuses his gaze on the flow of water. This work is notable for its smooth brushwork and fluid use of ink. T’ang Yin, one of the “Four Masters of the Ming Dynasty,” studied painting with Chou Ch’en (fl. Ca. 1500-1535), but he eventually surpassed his teacher. T’ang excelled in paintings of human figures, flowers and birds, and landscapes. T’ang Yin’s style-names were Tzu-wei and Po-hu; his sobriquet was Six Suchnesses. Extremely talented, he was free-spirited and bohemian by nature. In 1498 he placed highest in the provincial examinations at Nanking, but he was later implicated in the bribing of a judge at the metropolitan exams, and was consequently disgraced and deprived of any chance at an official career. From that time on he devoted himself to poetry, painting, and calligraphy.
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內容簡介(中文) |
連峰之間,飛瀑直瀉而下,分流轉折,聚而為潭。一人巾而無鬚,坐坡石上,童子侍於其後。用筆用墨,與松溪獨釣圖全同,故置於同一年。
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內容簡介(英文) |
1505 T’ang Yin Watching the Waterfall From the pass between two mountains a leaping waterfall cascades straight down, then divides into streams which twist and turn, finally collecting together again in a pool in the foreground. A beardless man wearing a hat sits on the rocky bank, while a servant boy waits behind him. The handling of brush and ink is almost identical to “Fishing Alone on the Pine Stream”, and “Watching the Waterfall” was probably painted in the same year.
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參考書目 |
林莉娜、陳建志、鄭淑方,〈明唐寅觀瀑圖 軸〉,收入《明四大家特展-唐寅》(臺北:國立故宮博物院,2014.07),頁48-49、294。
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參考書目 |
邱士華,〈明唐寅觀瀑圖 軸〉,收入邱士華主編《行篋隨行-乾隆南巡行李箱中的書畫》(臺北:國立故宮博物院,2017.03),頁112-115。
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參考書目 |
劉芳如、浦莉安、陳韻如,〈明唐寅觀瀑圖 軸〉,收入《鎮院國寶-范寬●郭熙●李唐》(臺北:國立故宮博物院,2021.10),頁156-157。
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