| 基本資料 | 藏品類型 | 書法 |
| 文物統一編號 | 故書000205N000000000 抽盤點紀錄 修護紀錄 more... | |
| 作品號 | 故書00020500000 | |
| 品名 |
明董其昌書千文 冊 Thousand-character Essay |
|
| 分類 | 法書 | |
| 作者 | 董其昌 | |
| 書體 | 楷書 | |
| 創作時間 | 明神宗萬曆三十九年（1611） | |
| 數量 | 一冊：七開（本幅七開十四幅） | |
| 作品語文 | 漢文 | |
| 釋文 | 千字文。勑梁員外郎散騎常侍周興次韻。天地玄黃。宇宙洪荒。日月盈昊。辰宿列張。寒來暑往。秋收冬藏。閏餘成歲。律呂調陽。雲騰致雨。露結為霜。金生麗水。玉出琨崗。劍號巨闕。珠稱夜光。菓珍李柰。菜重芥薑。海鹹河淡。鱗潛羽翔。龍師火帝。鳥官人皇。始制文字。乃服衣裳。推位遜國。有虞陶唐。弔民伐罪。周發殷湯。坐朝問道。垂拱平章。愛育黎首。臣伏戎羗。遐邇壹體。率賓歸王。鳴鳳在樹。白駒食場。化被草木。賴及萬方。蓋此身髮。四大五常。恭惟鞠養。豈敢毀傷。女慕貞絜。男效才良。知過必改。得能莫忘。罔談彼短。靡恃已長。信使可覆。器欲難量。墨悲絲染。詩讚羔羊。景行維賢。剋念作聖。德建名立。形端表正。空谷傳聲。虛堂習聽。禍因惡積。福緣善慶。尺璧非寶。寸陰是競。資父事君。曰嚴與敬。孝當竭力。忠則盡命。臨深履薄。夙興溫清。似蘭斯馨。如松之盛。川流不息。淵澄取映。容止若思。言辭安定。篤初誠美。慎終宜令。榮業所基。籍甚無竟。學優登仕。攝職從政。存以甘棠。去而益詠。樂殊貴賤。禮別尊卑。上和下睦。夫唱婦隨。外受傅訓。入奉母儀。諸姑伯叔。猶子比兒。孔懷兄弟。同氣連枝。交友投分。切磨箴規。仁慈隱惻。造次弗離。節義廉退。顛沛匪虧。性靜情逸。心動神疲。守真志滿。逐物意移。堅持雅摻。好爵自縻。都邑華夏。東西二京。背茫面洛。浮渭據涇。宮殿磐鬱。樓觀飛驚。圖寫禽獸。畫綵仙靈。丙舍傍啟。甲帳對楹。肆莚設席。鼓瑟吹笙。升階納陛。弁轉疑星。右通廣內。左達承明。既集墳典。亦聚群英。杜槁鍾隸。漆書壁經。府羅將相。路俠槐卿。戶封八縣。家給千兵。高冠陪輦。驅轂振纓。世祿侈富。車駕肥輕。策功茂實。勒碑刻銘。磻溪伊尹。佐時阿衡。奄宅曲阜。微旦熟營。桓公輔合。濟弱扶傾。綺迴漢惠。說感武丁。俊乂密勿。多士寔寧。晉楚更霸。趙魏困橫。假途滅虢。踐土會盟。何遵約法。韓弊煩刑。起翦頗牧。用軍最精。宣威沙漠。馳譽丹青。九州禹跡。百郡秦并。嶽宗泰岱。禪主云亭。鴈門紫塞。雞田赤城。昆池碣石。鉅野洞庭。曠遠綿邈。巖岫杳冥。治本於農。務兹稼穡。俶載南畝。我藝黍稷。稅熟貢新。勸賞黜陟。孟軻敦素。史魚秉直。庶幾中庸。勞謙謹敕。聆音察理。鑑貌辨色。貽厥嘉猷。勉其秖植。省躬譏誡。寵增亢極。殆辱近恥。林皋幸即。兩疏見機。解組誰逼。索居閒處。沉默寂寥。求古尋論。散慮逍遙。欣奏累遣。慼謝歡招。渠荷的歷。園莽抽條。枇杷晚翠。梧桐早彫。陳根委翳。落葉飄颻。遊鵾獨運。淩摩絳霄。躭讀翫市。寓目囊箱。易輶攸畏。屬耳垣牆。具膳餐飯。適口充膓。飽飯烹宰。饑厭糟糠。親戚故舊。老少異糧。妾御績紡。侍巾帷房。紈扇圓潔。銀燭煒煌。晝眠夕寐。藍笋象牀。弦歌酒讌。接杯舉觴。矯手頓足。悅豫且康。嫡後嗣續。祭祀蒸嘗。稽顙再拜。悚懼恐惶。牋牒簡要。顧答審詳。骸垢想浴。執熱願涼。驢騾犢特。駭躍超驤。誅斬賊盜。捕獲叛亡。布射遼丸。嵇琴阮嘯。恬筆倫紙。鈞巧任釣。釋紛利俗。並皆佳妙。毛施淑姿。工顰妍笑。年矢每催。曦暉晃曜。旋璣懸斡。晦魄環照。指薪脩祐。永綏吉劭。矩步引領。俯仰廊廟。束帶矜莊。徘徊瞻眺。孤陋寡聞。愚蒙等誚。謂語助者。焉哉乎也。辛亥（西元一六一一年）中秋日董其昌識。 |
| 典藏尺寸 | 【位置】 | 【尺寸】(公分) |
| 本幅 | 26.6x12.6 |
| 質地 | 【質地位置】 | 【質地】 |
| 本幅 | 紙 |
| 題跋資料 | 【題跋類別】 | 【作者】 | 【位置】 | 【款識】 | 【書體】 | 【全文】 |
| 簽 | 封面 | 楷書 | 董其昌千文。 |
| 印記資料 | 【印記類別】 | 【印記】 |
| 作者印記 | 知制誥日講官 | |
| 作者印記 | 董氏玄宰 | |
| 鑑藏寶璽 | 乾隆御覽之寶 | |
| 鑑藏寶璽 | 乾隆鑑賞 | |
| 鑑藏寶璽 | 石渠寶笈 | |
| 鑑藏寶璽 | 三希堂精鑑璽 | |
| 鑑藏寶璽 | 宜子孫 | |
| 鑑藏寶璽 | 養心殿鑑藏寶 | |
| 鑑藏寶璽 | 嘉慶御覽之寶 | |
| 鑑藏寶璽 | 宣統御覽之寶 | |
| 收傳印記 | 協一堂珍玩書畫圖章 |
| 參考資料 | 【類別】 | 【參考資料】 |
| 收藏著錄 | 石渠寶笈初編（養心殿），上冊，頁479 | |
| 收藏著錄 | 故宮書畫錄（卷三），第一冊，頁101-102 | |
| 收藏著錄 | 故宮歷代法書全集，第二十四冊，頁88-103、144-145 | |
| 內容簡介（中文） | 董其昌（西元一五五五－一六三六年），字玄宰，號思白，江蘇華亭人。萬曆十七年（一五八九）進士，官至禮部尚書，諡文敏。天才雋逸，善書畫，富收藏，尤精鑑賞。臨摹書蹟，至忘寢食。行楷之妙，稱絕一代。 本冊作於萬曆三十九年（一六一一），董氏時年五十七歲，自福建副使辭官已年餘，潛心藝事，書畫有成，「吾書因生而得秀色」一語即此期之自評。本冊參合智永虞顏之筆法字勢，蘊含自有之清朗疏秀風神，是董氏中期傑出之作。 | |
| 內容簡介（英文） | Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style name was Hsuan-tsai and he was known by the sobriquet Ssu-pai. He obtained the chin-shih degree in 1589 and went on to become the Minister of the Ministry of Rites. He was given the posthumous title Wen-min. Tung was exceptionally talented and accomplished as a calligrapher and painter; he was also a collector and an outstanding connoisseur. He frequently made free-copies and copies of old calligraphic works to the point that he would forget to eat or sleep. His ingenious semi-cursive and standard scripts were considered the best of his time. This album was written in 1611 when Tung was fifty-seven sui, already one year after he had resigned from his post as Vice Commissioner of Fukien. During this time Tung devoted himself to artistic pursuits, producing great accomplishments in painting and calligraphy. Tung critiqued his own calligraphy of this period by saying, "My calligraphy exhibits an elegant atmosphere on account of its rawness." The calligraphy of this album combines the brush method and character force of the monk Chih-yung, YuShih-nan and Yen Chen-ch'ing and is also imbued with Tung's own clarity and elegance. It is an excellent work of Tung's middle period. | |
| 收藏著錄 | 董其昌法書特展研究圖錄，頁136-139、184-186 |
