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內容簡介(英文) |
Huang Pin-hung (original name Chih; style name P’u-ts’un) was a native of She-hsien, Anhwei. In his middle years, he took the sobriquet Pin-hung, by which he became most well-known. He started painting under Ch’en Ch’un-fan and later devoted himself to landscape subjects, taking the Anhwi School style of the seventeenth century as his model; he was influenced by the styles of such painters as Li Liu-fang (1575-1629), Ch’eng Sui (1605-1691), Ch’eng Cheng-k’uei (fl. 17th century) and K’un-ts’an (1612- c. 1673). He also followed the styles of Sung (960-1279) and Yuan dynasty (1279-1368) painters, transforming and reforming them to create his own style.
This painting was executed with the complementary use of dark thick and scorched dry ink that appears sophisicated and elaborate, yet conveying the idea of tranquil profundity. The contrast between black and white is very obvious.
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