| 參考資料 |
【類別】 |
【參考資料】 |
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收藏著錄 |
蔡辰男先生捐贈書畫目錄，頁67、126
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內容簡介（中文） |
吳昌碩（西元一八四四－一九二七年），浙江安吉人。原名俊，字昌碩，又字倉石，別號缶廬、苦鐵，又署破荷、老缶、大聾，七十歲後以字行。書法以石鼓文見長，用筆結體，一變前人成法；篆刻以浙、皖諸家入手，上溯秦漢印鈢，鈍刀硬入，樸茂蒼勁；又以金石書法入畫，筆墨堅挺，氣魄厚重，色彩濃郁，結構突兀，為海上畫派巨擘。本幅畫牡丹設色濃麗，以硃磦和著胭脂大筆塗抹，濃墨勾葉脈，襯出紅花，取筆勁挺，富金石氣息。本幅為蔡辰男先生捐贈。
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內容簡介（英文） |
Wu Ch’ang-shih (given name Chun, style name Ts’ang-shih; sobriquets Foulu, K’u-t’ieh, P’o-he, Lao-fou, and Ta-lung) was a native of An-chi, Chekiang. In calligraphy, Wu specialized in石鼓文 stone-drum script. He transformed the brushwork and structure of previous calligraphers to form his own style. He studied seal carving from various masters in Chekiang and Anhwei and went back to carving Ch’in (255 BC-207 BC) and Han (206 BC-AD 220) dynasty style seals; the hard medium of the seal stone was carved with blunt lines to reveal a plain yet hoary strength. Furthermore, Wu also applied the calligraphic style of stone and bronze inscriptions to his painting, creating a grandiose and rich style with deep, bold colors. He became a noted artist of the Shanghai School.
These brilliantly colored vermillion and rouge peonies have been executed with a large brush. The leaf veins are thickly outlined, making the red blossoms stand out. Wu’s interest in seal-carving scripts has influenced his brushwork, rendering it very firm and strong.
This painting was donated to the Museum by Mr. Ts’ai Ch’en-nan.
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內容簡介（英文） |
These brilliantly colored vermilion and rouge peonies have been executed with a large brush. The leaf veins are thickly outlined, making the blossoms stand out. Wu’s interest in seal-carving scripts has influenced his brushwork, rendering it very firm and strong.
Wu Ch’ang-shih, a noted artist of the Shanghai School, was from An-chi, Chekiang. His compositions are unusual; his application of color thick. The vigor and energy of his brush stem from his study of many styles and schools of calligraphy and seal carving; he studied even the scripts of the Ch’in and Han dynasties.
This scroll was donated by Mr. Ts’ai Ch’en-nan.
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內容簡介（英文） |
Wu Ch’ang-shih was a noted artist of the Shanghai School whose painting compositions were unusual and application of colors dramatic. His energetic and forceful brushwork stems from his study of calligraphy (stone and bronze inscriptions, in particular) and his seal carving.
These brilliantly colored vermilion and rouge peonies have been executed with a large brush. The leaf veins are thickly outlined, making the blossoms stand out. Wu’s interest in seal-carving scripts influenced his brushwork, rendering it firm and strong.
This scroll was donated to the Museum by Mr. Ts’ai Ch’en-nan.
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參考書目 |
1.〈清吳昌碩富貴幽蘭〉，收入國立故宮博物院編輯委員會編，《牡丹名畫特展圖錄》（臺北：國立故宮博物院，1987年四月初版），頁51。
2.劉芳如，〈清吳昌碩富貴幽蘭〉，收入劉芳如主編，《十九世紀末期中西畫風的感通之二－－國立故宮博物院所藏同時期名家作品展》（臺北：國立故宮博物院，1993年初版），頁98。
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參考書目 |
譚怡令，〈清吳昌碩富貴幽蘭 軸〉，收入宋兆霖主編《天保九如-九十年來新增文物選粹》（臺北：國立故宮博物院，2015.10），頁268-269。
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