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【類別】 |
【參考資料】 |
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收藏著錄 |
蔡辰男先生捐贈書畫目錄，頁69、126
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內容簡介（中文） |
吳昌碩（西元一八四四－一九二七年），原名俊，字昌碩，七十歲後以字行。書法以石鼓文見長，用筆結體，一變前人成法；篆刻以浙、皖諸家入手，上溯秦漢印鈢，鈍刀硬入，樸茂蒼勁；又以金石書法入畫，筆墨堅挺，氣魄厚重，色彩濃郁，結構突兀，為海上畫派巨擘。本幅水墨畫高山急流，行人獨步山徑。款署乙卯，是年吳昌碩七十二歲，筆意縱恣，墨色濃淡揮灑自如。本幅為蔡辰男先生捐贈。
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內容簡介（英文） |
In calligraphy, Wu Ch’ang-shih specialized in stone drum script, but developed his own style. He also adopted the style of stone and bronze inscriptions in his painting. His forceful brushwork and dark ink were often complemented by brilliant colors in unusual compositions, making him foremost among the masters of the Shanghai School.
A solitary figure strolls on a mountain path amidst a lofty mountain and swift currents in this ink painting. This work was done in 1915 when Wu was 71 years of age. The brushwork and light and dark shades of ink have all been executed freely.
This painting was donated to the Museum by Mr. Ts’ai Ch’en-nan.
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內容簡介（英文） |
Wu Ch’ang-shih (given name Chun; style name Ts’ang-shih; sobriquets Fou-lu, K’u-t’ieh, P’o-ho, Lau-fou, and Ta-lung) was a native of An-chi, Chekiang. In calligraphy, Wu specialized in stone-drum script. He developed his own style by transforming the brushwork and structure of existing calligraphy. He studied seal carving from various sources going as far back as Chin (221-201 BC) and Han (206 BC-AD 220) dynasties. He adopted the technique of stone and bronze inscription to his painting. His brushwork is hard and forceful, with heavy and thick inking and brilliant and busy coloration, often with extraordinary composition. Wu was among the foremost of the Shanghai masters.
A solitary figure strolls on a mountain path amidst a lofty mountain and swift currents in this ink painting. This painting was executed when Wu was seventy-two. The brushwork and light and dark shades of ink have all been executed freely.
This painting was donated to the Museum by Mr. Ts’ai Ch’en-nan.
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參考書目 |
1.劉芳如，〈清吳昌碩蘇州天平山景〉，收入劉芳如主編，《十九世紀末期中西畫風的感通之二－－國立故宮博物院所藏同時期名家作品展》（臺北：國立故宮博物院，1993年初版），頁96。
2.劉芳如、陳階晉、譚怡令、何炎泉，〈近代書畫名品選萃〉，《故宮文物月刊》，第310期（2009年1月），頁73。
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參考書目 |
陳韻如，〈清吳昌碩蘇州天平山景 軸〉，收入劉宇珍、陳韻如、林宛儒主編《典藏新紀元--清末民初的上海畫壇》（臺北：國立故宮博物院，2018.07），頁116-119、317。
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