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【類別】 |
【參考資料】 |
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收藏著錄 |
石渠寶笈三編（避暑山莊），第九冊，頁4408-4409
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收藏著錄 |
故宮書畫錄（卷五），第三冊，頁321
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收藏著錄 |
故宮書畫圖錄，第六冊，頁217-218
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研究性論著 |
幅內無款，僅於右下土坡鈐「啟南」印一。畫山樹皆取細筆中鋒，與晚年之相比，本幅筆法顯得疏秀清朗。皴山石用短披麻居多，山頂參以礬頭雜於其間，取法與四十一歲作「廬山圖」氣息相通，並皆出自王蒙，細緻綿密的作風尤與被譽為「天下第一王叔明」（註1）的「青卞隱居圖」最為接近。
本幅據沈周於詩塘自題云（沈題於辛酉，1501，75歲），知原為馬抑之作此圖，（註2）旋歸劉玨（1410—1472）。成化六年（1470）春仲其弟劉竑春試入京，玨因其弟「角藝南宮，以期其遠大。」而題此幅為贈以壯其行，壬辰（1472）春劉玨逝去，仲秋劉竑持此圖求吳寬、文林題，時三人同在京邸。從三人之題可知沈周此幅當成於1470年前後，與從畫風比對和1467年畫之「廬山高」正可相詮證。另款署「立齋」者，從其所鈐之「鳳儀」、「賜己丑進士」二印查勘，得一名於成化五年己丑（1469）登科者丁鏞（1435年生），字鳳儀，應天府上元縣人。（註3）
本幅圖中有茅屋數椽，竹叢山色，所繪頗似沈周之別業「有竹居」。成化辛卯（1471）沈周有竹居既結，其時文士好友若吳寬、劉玨等多人皆過往並貽之詩，李東陽云：「幽人住在竹深處，種有青山濯有川。」黎擴云：「新居僻地城東地，高竹千竿水一川。」優雅辭句描述與畫中幽深景緻實有若干契合之處。（註4）而沈周坐臥有竹居中多年，亦有寫景作品傳世及為詩文歌詠。（註5）（許郭璜）
註1：董其昌跋王蒙青卞隱居圖語。見安岐，《墨緣彙觀錄》卷三，（台北：台灣商務印書館，1970），頁160。
註2：馬抑之生平待考，只知其有收藏書畫並與沈周來往酬應，沈周文集裡有詩三首與馬氏。見沈周，《石田先生集》（明萬曆陳仁錫編刊分體本）（台北：國立中央圖書館編印，1968），第二冊，頁317、524、587。
註3：姚夔等編，《明代登科錄彙編》（明成化間刊本）（台北：學生書局，1969）第二冊，頁926。
註4：《石田先生集》同註2，頁872-874。
註5：關於有竹居之詳考參見，傅申，〈沈周有竹居與釣月亭圖卷〉，國立故宮博物院編輯委員會編，《中國藝術文物討論會論文集》（台北：國立故宮博物院，1992），書畫（上），頁385-392。
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內容簡介（中文） |
沈周（西元一四二七－一五○九年）字啟南，號石田，亦自稱白石翁，長洲人。?吉之子。山水花卉禽魚悉入神品。工書善詩，為明四大家之一。
成化六年，沈周四十四歲，是年劉珏以此畫題贈其弟劉竑，故當是沈四十四歲以前之作。辛酉再題，沈已七十五矣。吳寬、劉珏，俱負盛夕名。又一題為文林，乃文徵明之父。一時名士，俱留手澤，是此幅之足珍者又不僅以畫也。
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內容簡介（英文） |
Lofty Mountains and Tall Bamboo
Shen Chou (1427-1509)
Ming Dynasty
Shen Chou went by the style name Ch’i-nan and the sobriquet Shih-t’ien and called himself Pai-shih-weng. A native of Ch’ang-chou, Kiangsu, he was the son of the scholar-artist Shen Heng-chi (1409-1477). His paintings of landscapes, flowers, birds, and fish were of the divine category. He also excelled at calligraphy and poetry, being known as one of the Four Masters of the Ming.
In 1470, when Shen Chou was 43-years-old, Sh’en’s friend Liu Chueh requested this painting be done for his younger brother, Liu I-kuei. This work must have thus been painted sometime before 1470. In 1501, the painting was inscribed again, when Shen was 74. In addition to inscriptions by such luminaries as Liu Chueh and Wu K’uan, there is also one by Wen Cheng-ming’s father (Wen Lin). The inclusion of the calligraphy by such important cultural figures only further enhances the artistic brilliance of the painting.
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內容簡介（中文） |
此畫乃沈周為劉珏所作。成化六年（一四七○）春，劉珏之弟劉以規春試入京，珏舉以為贈。次年辛卯（一四七一）二月，劉珏史鑑沈周沈召同遊西湖。壬辰（一四七二）春，劉珏逝。八月，劉以規持此畫求吳寬文林為之題。三人同在京師。紙狹故山亦瘦長。皴法似王叔明。大抵與四十一歲所作廬山高圖甚為接近，松葉樹榦則較廬山高圖直挺。畫樹皴山，皆中鋒筆，與晚年喜用側筆中鋒者不同。幅上未署款，但在左下角石上有一印。
三月二日，唐寅生；十一月六日，文徵明生。
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內容簡介（英文） |
1470
Shen Chou “Lofty Mountains and Towering Bamboo”
This painting was executed for Liu Chueh. In the spring of 1470, Liu’s younger brother Liu I-kuei went to Peking to take the metropolitain examinations; Liu Chueh requested this painting as a gift for his brother. In the second month of 1471, Liu Chueh, Shih Chien, Shen Chueh, Shih Chien, Shen Chou, and Shen Chao went to West Lake near Hangchou; Liu Chueh died in the spring of 1472. In the eighth month of that year Liu I-kui asked Wu K’uan and Wen Lin (Wen Cheng-ming’s father) to inscribe Shen Chou’s painting when the three were in the capital.
Shen Chou painted an extremely tall, slender mountain to fit the long narrow paper. The texture strokes are derived from Wang Meng. The effect of the painting is rather similar to “Towering Mount Lu”, painted when the artist was 40 years old (1467). The pine needles and tree trunks are even more straight and thrusting than in the earlier work. The texture strokes in the trees and mountains were executed with the brush held upright, in contrast to the slanted brush prevalent in his late works. There is no signature on the painting, but one of Shen Chou’s seals appears on a rock in the lower left corner.
In 1470, when “Lofty Mountains and Towering Bamboo” was painted, T’ang Yin was born on the 2nd day of the third month, and Wen Cheng-ming was born on the 6th day of the eleventh month.
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參考書目 |
1.江兆申，〈沈周崇山修竹 軸〉，收入國立故宮博物院編，《吳派畫九十年展》（臺北：國立故宮博物院，1975年初版，1976年再版，1981年三版），頁295。
2.許郭璜，〈水墨微蹤認始真 — 沈周〈崇山修竹〉之畫風檢討〉，《故宮文物月刊》，第313期（2009年4月），頁102-115。
3.許郭璜，〈有竹居別業 — 沈周〈崇山修竹〉畫中主題〉，《故宮文物月刊》，第314期（2009年5月），頁71-77。
4.許郭璜，〈品題流落兩傷神 — 關於沈周〈崇山修竹〉的題跋與流傳〉，《故宮文物月刊》，第315期（2009年6月），頁104-111。
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參考書目 |
何炎泉、陳階晉、陳韻如，〈明沈周崇山修竹 軸〉，收入《明四大家特展-沈周》（臺北：國立故宮博物院，2014.01），頁20-23、307。
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