宋人富貴花狸 軸

詳細資料

基本資料 藏品類型 繪畫
文物統一編號 故畫000862N000000000 抽盤點紀錄 修護紀錄
作品號 故畫00086200000
品名 宋人富貴花狸 軸
Calico Cat and Peonies
分類 繪畫
數量 一軸

典藏尺寸 【位置】 【尺寸】(公分)
本幅 141x107.5

質地 【質地位置】 【質地】
本幅

印記資料 【印記類別】 【印記】
鑑藏寶璽 乾隆御覽之寶
鑑藏寶璽 乾隆鑑賞
鑑藏寶璽 石渠寶笈
鑑藏寶璽 三希堂精鑑璽
鑑藏寶璽 宜子孫
鑑藏寶璽 御書房鑒藏寶
鑑藏寶璽 宣統鑑賞
鑑藏寶璽 無逸齋精鑒璽
收傳印記 緝熙殿寶
收傳印記 司印(半印)

主題 【主題類別】 【主題(第一層)】 【主題(第二層)】 【主題說明】
主要主題 花草 牡丹
主要主題 走獸 貓(貍奴)

技法 【技法】 【技法細目】
工筆
雙鉤

參考資料 【類別】 【參考資料】
收藏著錄 石渠寶笈初編(御書房),下冊,頁1151
收藏著錄 故宮書畫錄(卷五),第三冊,頁148-149
收藏著錄 故宮書畫圖錄,第三冊,頁117-118
研究性論著 本幅畫牡丹花叢下,以石鈴繫縛一花貍,貓目圓瞪,灼灼有神,似有所窺。牡丹描繪精實,花葉之偃仰轉側,俱用細線雙鉤,落筆沉著,敷粉賦彩,則靜穆厚實。染繪貓狸,兼用焦墨、淺粉,墨色黝黑,立體感十足。茸毛雖極纖細,亦甚遒勁有力。作者觀物寫生之縝密功夫,由此可窺見一斑。 畫幅未繫作者款印,舊籤題標為宋人,而綜觀《宣和畫譜》(1120成書)中,所登錄的相同類型繪畫,如「牡丹戲貓圖」、「牡丹貓圖」等,數量頗多。若單由品目上看,絕難確認,何者與「富貴花狸」的內容最為謀合。但就畫面風格論斷,本幅出於北宋後期,宮廷畫院名家之手,應無可議。(劉芳如)
參考書目 1.〈宋人富貴花貍〉,收入國立故宮博物院編輯委員會編,《牡丹名畫特展圖錄》(臺北:國立故宮博物院,1987年四月初版),頁39。 2.林莉娜,〈宋人富貴花狸 軸〉,收入林柏亭主編,《大觀-北宋書畫特展》(臺北:國立故宮博物院,2006年初版一刷),頁204-209。 3.林莉娜,〈宋人富貴花貍〉,收入蔡玫芬主編,《精彩一百 國寶總動員》(臺北:國立故宮博物院,2011年九月初版一刷),頁284。
內容簡介(中文) 牡丹花下,搏一貍奴。兩眼灼灼如有所窺。花葉皆用雙鈎,筆意沈著。用粉用綠,靜穆厚實。貓用焦墨淺粉,墨色極重,故甚突出。而毛衣著筆,亦遒勁有力
內容簡介(中文) 牡丹盛開庭園一角,蹲於花蔭底下的貓兒圓黑瞳孔直瞪前方,凝視著盛開的牡丹。貓諧音「耄」,指七十歲以上的老年人;牡丹為富貴吉祥的象徵,故此畫有「長壽富貴」寓意。 畫家具備敏銳觀察和精湛寫生功力,貍貓外型特徵刻劃入微,貓毛纖毫畢至,繪出毛髮柔軟質感。枝葉、花瓣採「勾勒填彩」法,主輔穿插具有節奏感。北宋院畫重視師承法度,畫風工緻富麗,此圖應出自於北宋後期畫院名家之手。(20061206)
內容簡介(英文) A peony bush is shown in full bloom in the corner of a garden as a cat stares ahead and is crouched in the shadows of the blossoms, focusing on the peonies. The character for “cat” in Chinese is also a homonym for “septuagenarian”, meaning someone who is over the old age of seventy. The peony is also an ancient symbol of nobility and good luck, so the combination of the two in this painting most likely serves as a wish for “longevity and nobility”. The unknown artist behind this painting obviously had an acute sense of observation and exceptional talent in rendering objects with precision from nature. Every detail of the cat has been included here, not just its incredibly fine fur, but also its sense of softness as well. The leaves and petals of the peony were done in the method of “outlines filled with color”, the relationship between the two creating a sense of rhythm. In the Northern Sung, considerable attention was paid to following the ways of ancient masters, and painting styles were also precise and opulent, this work probably coming from the hand of a master in the Imperial Painting Academy of the late Northern Sung.(20061206)
網頁展示說明 花蔭底下貓兒身體微拱,明亮眼睛直瞪著宮苑?盛開的牡丹。牡丹花形巨大,枝葉鮮麗,葉片花瓣組合妥切,兼顧前後、正反轉折。「花貍」指有花色斑紋的貓,貓諧音「耄」,指七十以上的老人;牡丹為富貴花王,具有「長壽富貴」之寓意。畫家以工筆寫生技法描寫貍貓神態與毛髮質感,結合富麗堂皇的花卉,此類題材頗符合宮廷貴族的精緻品味。此軸畫風工整華貴,乃出自於北宋後期畫院名家之手。(20110913)
網頁展示說明 A cat crouches in the shade of flowers in a palatial garden, its bright eyes staring directly at the peonies in full bloom. The peony blossoms are huge, the leafy branches also beautiful. Both leaves and blossoms are gorgeously arranged, also suggesting front and back as well as up and down. The calico cat, with its variegated fur, features the word for “flower” in Chinese, while “cat” is also a homonym for a respected elder seventy or older. The peony is also known as the “noble king of flowers,” so the combination with a cat here thus symbolizes both longevity and prosperity. The artist used fine brushwork to sketch from life the plant and depict the spirit and texture of the cat’s fur. Combined with opulent and majestic flowers, this type of subject suited the refined taste of the court and nobility. The painting style of this hanging scroll is meticulous and magnificent, coming from the hand of a great artist of the Painting Academy in the Northern Song period.(20110913)
參考書目 〈宋人富貴花狸 軸〉,收入劉芳如主編《國寶再現-書畫菁華特展》(臺北:國立故宮博物院,2018.10),頁102-109、254。

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