| 參考資料 |
【類別】 |
【參考資料】 |
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收藏著錄 |
故宮書畫錄（卷五），第三冊，頁106
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收藏著錄 |
故宮書畫圖錄，第二冊，頁209-210
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內容簡介（中文） |
畫山居悠然閒靜之狀，遠山巒峰高聳，瀑泉直瀉而下，軒舍散落，雅士、樵者步行其中。全幅筆墨濃淡有致，林木丘壑明暗對比清楚。
此幅未見畫家落款簽名，據舊傳原籤題作夏珪。按夏珪，字禹玉，錢塘人。南宋寧宗、理宗時任職畫院。擅畫山水、人物，與馬遠齊名，時稱「馬夏」。然此圖山林坡石之佈局與筆墨技法，已現明代浙派作風。
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內容簡介（英文） |
In this work is a mountain dwelling in a serene foreground setting. The peaks in the distance stand out upright with a waterfall to one side. Buildings appear scattered through the middle ground along with woodcutters as scholars make their way in the foreground. The work features extremes of light and dark ink and brushwork to create for a strong yet clear contrast between the woods and hills.
This work bears neither seal nor signature of the artist but was attributed to Hsia Kuei. Specializing in landscapes and figures, his fame equaled that of Ma Yuan, and they were known as “Ma-Hsia.”The composition and brushwork of this work reveals the Che School style of the Ming dynasty (1368-1644).
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內容簡介（中文） |
畫山居悠然閒靜之狀，遠山巒峰高聳，瀑泉直瀉而下，軒舍散落，雅士、樵者步行其中。全幅筆墨濃淡有致，林木丘壑明暗對比清楚。本幅未見畫家落款簽名，根據原籤，定名夏珪。然此幀山林坡石之布局與淋漓的筆墨，已展現明代浙派作風，當為後人偽託之作。
夏珪（活動於13世紀前半），字禹玉，錢塘人。南宋寧宗、理宗時任職畫院。擅畫山水、人物，與馬遠齊名，時稱「馬夏」。
(20110913)
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內容簡介（英文） |
In this work is a mountain dwelling in a serene foreground setting. The peaks in the distance stand upright with a waterfall to one side. Buildings appear scattered through the middle ground along with woodcutters as scholars make their way in the foreground. The work features extremes of light and dark ink with brushwork that creates for a strong yet clear contrast between the woods and hills. This work bears neither seal nor signature of the artist but was attributed in the title label to Xia Gui. The composition of mountain forests and slope rocks along with the wet and quick brushwork here already reveals the Zhe School style from the Ming dynasty, suggesting this is a spurious attribution by a later person.
Xia Gui (style name Yuyu), a native of Qiantang, served the Painting Academy during the reigns of Emperors Ningzong and Lizong in the Southern Song. Specializing in landscapes and figures, his fame equaled that of Ma Yuan, and they were known as “Ma-Xia.”
(20110913)
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參考書目 |
劉芳如，〈宋夏珪山水 軸〉，收入《典範與流傳-范寬及其傳派》（臺北：國立故宮博物院，2015.07），頁166-171、337。
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