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【參考資料】 |
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收藏著錄 |
石渠寶笈續編（寧壽宮），第五冊，頁2646
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收藏著錄 |
故宮書畫錄（卷五），第三冊，頁35
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收藏著錄 |
故宮書畫圖錄，第一冊，頁145-146
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內容簡介（中文） |
叢林中溪水彎流，與石相激，濺起點點浪花，兩旁林木高聳，雲煙穿繞其間。全幅畫樹用筆強勁，樹枝如龍蛇朝四面伸張，乃李郭山水最有特色的蟹爪樹法，極富有姿勢變化之美。以畫法論，本幅可能是十二世紀北方金人學李郭風格的作品。
李成（西元916—967），字咸熙，唐皇室的後裔，系出長安，五代徙居山東營丘，畫平遠山水煙林清曠，墨法精純。
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內容簡介（英文） |
Through a forest winds a quickly flowing stream that dashes and splashes against the rocks. Tall trees appear on either side, and bands of mist float among the tree tops. The brushwork in the trees is particularly strong and energetic-the branches looking like twisting dragon claws, similar to the distinctive crab-claw style of painting trees in the Li Ch’eng and Kuo Hsi tradition. In terms of style, this may be a work by a northern Chin dynasty artist of the 12th century following the Li-Kuo tradition.
Li Ch’eng, a descendant of the T’ang imperial family , specialized in painting flat-distance , misty landscapes of water and trees suggested by washes of ink.
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網頁展示說明 |
李成（916？967）字咸熙，唐皇室的後裔，系出長安，五代徙居山東營丘，因此又稱為李營丘。性情豪邁，放蕩不羈，喜好飲酒，博涉經史。據《圖畫見聞誌》的記載，李成「善畫山水寒林，化精靈，絕人遠甚。」「氣象蕭疏，煙林清曠，毫鋒穎脫，墨法精微。」最擅長以寒林來表現嚴冬蕭颯荒寒景況。
本幅以近景為主，畫幅中央矗立著三株巨樹，一灣溪水三疊流出，激流漱石，幅內煙嵐飄忽游於林中，虛實相映。勾畫樹幹、皴樹皮、點葉皆用細筆，雖勁拔挺捷，然仍具一股娟秀氣息，樹幹上勾圈出很多木癭，枝椏若龍蛇四面分張，蒼勁遒逸，澗流兩側土坡淡墨臥筆層疊皴染，筆法細膩又具變化。水紋及騰濺水花之取筆粗細並用，且勁挺有力，似聞激濺之聲。
寒林為北方平遠的產物，主旨在表現「荒寒蕭瑟，煙蕪淒惻之情。」但李成的寒林圖，松石幽深，鳴泉流濺，主要表現的是樹石茂密之美，與宋人「松泉磐石」相似，有明月松間照，清泉石上流的意境，而非木葉盡脫、寒林蕭瑟之意。幅中畫樹枝柯分披，是李郭遺法，畫石用斧劈皴，則似出自李唐風格，以畫風而言，並非出於十世紀李成所作，較可能為十二世紀北方金人學李郭傳統之作品。
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網頁展示說明 |
Through a forest winds a quickly flowing stream that dashes and splashes against the rocks. Tall trees appear on either side of the stream, and bands of mist float among the treetops. The brushwork in the trees is particularly strong and energetic-the branches looking like twisting dragon claws, similar to the distinctive crab-claw style of painting trees in the Li Ch'eng and Kuo Hsi tradition. In terms of style, this may be a work by a Chin dynasty artist of the 12th century following the Li-Kuo tradition.
Li Ch'eng, a descendant of the T'ang imperial family, specialized in painting flat distance landscapes of misty water and trees using washes of ink.
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參考書目 |
林麗江，〈宋李成寒林圖 軸〉，收入林麗江、何炎泉主編《寫盡繁華-晚明文化人王世貞與他的志業》（臺北：國立故宮博物院，2022.10），頁100-101。
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