| 基本資料 | 藏品類型 | 書法 |
| 文物統一編號 | 故書000257N000000003 抽盤點紀錄 修護紀錄 | |
| 作品號 | 故書00025700003 | |
| 品名 |
元人法書 冊 楊維禎書晚節堂詩 Ode on the Wanjie Hall |
|
| 分類 | 法書 | |
| 作者 | 楊維禎 | |
| 書體 | 行書 | |
| 創作時間 | 元順帝至正二十一年（1361） | |
| 數量 | 一幅 | |
| 作品語文 | 漢文 | |
| 釋文 | 晚節堂詩為竹洲仙母賦。許姥塘東余姥宅。高年七十見孤風。半生閉戶機杼老。二子讀書燈火同。大兒學仙類耽子。小兒力仕如終童。瑤池春酒介眉壽。阿母蟠桃千歲紅。至正辛丑（西元1361年）春三月十有二日鐵笛道人在清真之竹洲館試奎章賜墨書。 |
| 典藏尺寸 | 【位置】 | 【尺寸】(公分) |
| 本幅 | 27x57.1 |
| 質地 | 【質地位置】 | 【質地】 |
| 本幅 | 紙 |
| 印記資料 | 【印記類別】 | 【印記】 |
| 作者印記 | 楊維禎印 | |
| 作者印記 | 廉夫 | |
| 作者印記 | 鐵笛道人 | |
| 作者印記 | 九山白雲居 | |
| 收傳印記 | 天籟閣 | |
| 收傳印記 | 項叔子（重一） | |
| 收傳印記 | 項子京家珍藏 | |
| 收傳印記 | 項墨林鑑賞章 | |
| 收傳印記 | 檇李項氏士家寶玩 | |
| 收傳印記 | 項元汴印 | |
| 收傳印記 | 寄敖 | |
| 收傳印記 | 周錫圭印 | |
| 收傳印記 | 錫圭私印 | |
| 作者印記 | 清白傳家 | |
| 收傳印記 | 耿嘉祚 | |
| 收傳印記 | 子孫永寶 | |
| 收傳印記 | 項墨林父秘笈之印 |
| 參考資料 | 【類別】 | 【參考資料】 |
| 收藏著錄 | 石渠寶笈初編（重華宮），下冊，頁712-714 | |
| 收藏著錄 | 故宮書畫錄（卷三），第一冊，頁252-253 | |
| 收藏著錄 | 故宮歷代法書全集，第十六冊，頁68-91、173-179 | |
| 參考書目 | 1.王耀庭，〈元楊維禎晚節堂詩〉，收入王耀庭主編，《傳移模寫》（臺北：國立故宮博物院，2007年初版），頁106-107。 | |
| 內容簡介（中文） | 楊維禎（西元一二九六－一三七0年），浙江紹興人，字廉夫，號東維子、鐵笛道人。三十二歲及進士第，署天台尹，以狷介故，為黠吏陷，遂免官，往來蘇松一帶。然心繫國事，曾上〈正統辯〉，為時所賞，後復官，會四海兵亂，遂泯跡江浙間。晚年居松江，因其學問文章氣節而來從學者眾。其文放逸險絕，稱鐵崖體，書風亦狂怪清勁，與文風相類。本幅為六十六歲時書，時楊氏已定居松江數載，常於齋中與友人門生瀹茗品酒，試新筆佳墨，賞題字畫。此詩即用奎章賜墨所書，下筆力透紙背，老辣之甚。 | |
| 內容簡介（英文） | Yang Wei-chen (style name Lien-fu; sobriquets Tung-wei-tzu, T'ieh-ti-tao-jen) was a native of Shao-hsing, Chekiang. He served as an official in T'ien-t'ai. Because of his stubborn, rash, and straightforward personality, he often encountered difficulties with officials. He eventually gave up officialdom and went to Suchou and Sung-chiang. However, still interested in politics, he submitted an essay on orthodoxy and legitimacy (Cheng-t'ung pien). For this, he received much praise and once again became an official. Late in life, he settled in Sung-chiang. Because of his erudition, his literary output, and his moral integrity, he attracted many students. His literary style is daring and risky, and his calligraphy is equally wild and strange. Yang Wei-chen wrote this ode on high quality paper with good ink when he was sixty-six after he had settled in the Sung-chiang area. His well-practiced brushstrokes seem so strong that they might almost have penetrated the surface of the paper. | |
| 內容簡介（中文） | 楊維禎（西元一二九六－一三七0年），浙江紹興人，字廉夫，號東維子、鐵笛道人。三十二歲及進士第，署天台尹，以狷介故，為黠吏陷，遂免官，往來蘇松一帶。然心繫國事，曾上〈正統辯〉，為時所賞，後復官，會四海兵亂，遂泯跡江浙間。晚年居松江。 本幅六十六歲（一三六一年）書，用奎章賜墨。時楊氏定居松江數載，常與友人門生瀹茗品酒，試新筆佳墨，賞題字畫。(20100406) | |
| 內容簡介（英文） | Yang Weizhen (style name Lianfu; sobriquet Tiedi daoren) was a native of Shaoxing, Zhejiang. A Presented Scholar at 32, he was an official in Tiantai. With his honest and stalwart personality, he ran afoul of officials, who set him up and relieved him of office. He retired to the Suzhou-Songjiang area. Still interested in politics, he submitted an essay on legitimacy. Rewarded with office again, rebellions cut short the Yuan and his career as he later settled in Songjiang. Yang’s calligraphy was wild, pure and forceful. He did this work in 1361 with ink given by the court after settling in Songjiang for several years. He spent his time with friends and disciples enjoying tea and wine. With new brushes and fine ink, he often appreciated painting and calligraphy.(20100406) |
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