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【類別】 |
【參考資料】 |
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收藏著錄 |
石渠寶笈初編（養心殿），上冊，頁667-668
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收藏著錄 |
故宮書畫錄（卷五），第三冊，頁121-122
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收藏著錄 |
故宮書畫圖錄，第二冊，頁317-318
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參考書目 |
1.王耀庭，〈宋人小寒林圖〉，收入王耀庭、許郭璜、陳階晉編，《故宮書畫菁華特輯》（臺北：國立故宮博物院，1987年初版，2001年再版），頁160-161。
2.許郭璜，〈宋人小寒林圖〉，收入《李郭山水畫系特展》（臺北：國立故宮博物院，1999年初版），頁5-8。
3.王耀庭，〈宋人小寒林圖 軸〉，收入林柏亭主編，《大觀-北宋書畫特展》（臺北：國立故宮博物院，2006年初版一刷），頁84-87。
4.王耀庭，〈荒寒之美─宋人〈小寒林圖〉軸〉，《故宮文物月刊》，第271期（2005年10月），頁88-93。
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內容簡介（中文） |
本幅兩樹石意似未盡，應是殘存長卷的一段。平野上林木凋零，天色慘淡欲雪，小徑上兩翁且行且談，一童挑擔尾隨。樹枝用筆圓勁，直如篆籀，垂藤生動，勢若驚蛇。全幅用筆細謹，墨法精絕，為宋無名款畫中之傑出者。 此畫繪北方清曠蕭森之景，這種寒林平野的主題是由北宋李成所創，但圖中坡石皴染和樹木枝椏的佈置已有郭熙的影響，人物畫法精練傳神，是北宋風格。因此本圖就算不出於郭熙，也是時代相去不遠之作。右側飛雁一行，筆調單薄，與全圖氣韻不合，可能是後人所補。
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內容簡介（英文） |
The slope and trees at either end of this scroll appear incomplete, perhaps indicating it is a section from a longer scroll. The frigid trees in the flat-distance scene reach to the dark skies that threaten to snow. On the path, two old men converse as they walk, followed by a servant with bundles. The meticulous brushwork and exquisite application of ink rank it with the finest unsigned Sung works. The brushwork of the branches of the sparse undergrowth scattered across the landscape calls to mind ancient large-seal calligraphic script. This work represents an expansive and desolate view of China's north. The theme of wintry trees was begun by Li Ch'eng(916-967), but the texturing, washes, and trees here suggest the later style of Kuo Hsi(1023-ca.1085). The figures are spirited and refined in the Northern Sung style. Although unclear as to whether this is by Kuo, it is not far from his time. However, the geese in the upper right corner are over-simplified, suggesting a later hand.
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內容簡介（中文） |
本幅兩樹石，意似未盡，應是長卷殘存的一段。平野上林木凋零，天色慘淡欲雪，小徑上兩翁且行且談，一童挑擔尾隨。全幅用筆細謹，墨法精絕，為宋無名款畫中之傑出者。此畫繪北方清曠蕭森之景，這種寒林平野的主題是由北宋李成所創，但圖中坡石皴染和樹木枝椏的布置已有郭熙的影響，是北宋風格。因此本圖就算不出於郭熙，也是時代相去不遠之作。右側飛雁一行筆調單薄，可能是後人所補。(20061206)
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內容簡介（英文） |
The slope and trees at either end of this scroll appear incomplete, perhaps indicating that this is a section that once belonged to a longer scroll. The frigid trees in the flat-distance scene reach to the dark skies that threaten to snow. On the path, two old men converse as they walk along, followed by a servant carrying bundles. The meticulous brushwork and exquisite application of ink rank this as one of the finest unsigned Sung dynasty works. This painting represents an expansive and desolate view of China's north, with this theme of wintry trees having been started by Li Ch'eng. Here, however, the texturing, washes, and arrangement of the trees suggest the influence of Kuo Hsi later in the Northern Sung. Although unclear as to whether this work was actually done by Kuo Hsi, it is not far from his time. However, the geese in the upper right corner appear somewhat over-simplified, suggesting a later hand.(20061206)
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參考書目 |
陳韻如，〈宋人小寒林圖 軸〉，收入《公主的雅集-蒙元皇室與書畫鑑藏文化特展》（臺北：國立故宮博物院，2016.10），頁90-91、267-268。
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參考書目 |
國立故宮博物院編輯委員會，〈宋人小寒林圖 軸〉，收入《故宮書畫菁華特輯》（臺北：國立故宮博物院，1996.10），頁160-161。
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